你不配她
由杰拉尔 德帕迪约饰演的贝尔纳有一个非常美丽的妻子,还有两个孩子,可是他却偏偏与其貌不扬的约西娜坠入情艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。贝尔纳的妻子只好找约西娜了解究竟,可约西娜也说不清所以然。约西娜只好去问贝尔纳,谁知贝尔纳也无可奉告。
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剧情提要
由杰拉尔 德帕迪约饰演的贝尔纳有一个非常美丽的妻子,还有两个孩子,可是他却偏偏与其貌不扬的约西娜坠入情艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。贝尔纳的妻子只好找约西娜了解究竟,可约西娜也说不清所以然。约西娜只好去问贝尔纳,谁知贝尔纳也无可奉告。
暗夜精选
迪瓦塔·缪斯
反防御
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Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel平安夜,杀人夜
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诺玛·蕾
故事发生在一个南部小镇的棉织厂,诺玛(莎莉·菲尔德 Sally Field 饰)和她的家人都在这里工作。这个工厂的工作环境异常恶劣,工人们每天都经受着资本家的无情剥削和艰辛劳动。面对这种不公平的待遇,工人们备受压迫和困扰。为了改变这种状况,总工会派来了一名经验丰富的组织者,希望能够协助当地工人组织自己的工会,为工人们争取更好的待遇和权益。然而,工人们对组织者的到来持有怀疑态度,他们心存疑虑,担心这只是一个无望的尝试。组织者面临着许多困难和挑战。工人们对他进行冷嘲热讽,老板则用各种无理阻拦来阻碍工会的成立。看到这一切,诺玛内心充满了愤慨和不满。她是一个有着坚强意志的女性,对不合理的事物总是敢于挑战。受到组织者的激励和影响,诺玛最终选择站出来,成为了改变的先锋。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster