归乡的水手
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan A lonely seafarer’s wife crosses paths with a meditation and love guru. When her husband returns, she is torn between the woman who satisfies her fantasies and the man she has always loved
剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan A lonely seafarer’s wife crosses paths with a meditation and love guru. When her husband returns, she is torn between the woman who satisfies her fantasies and the man she has always loved
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超能计划
杰米·福克斯,约瑟夫·高登-莱维特,多米尼克·菲什巴克,罗德里戈·桑托罗,考特尼·万斯,艾米·兰德克,机关枪凯利,泰特·弗莱彻,阿伦·马尔多纳多,安德烈·沃德·哈蒙德,可亚娜·西蒙妮·辛普森,C.J.勒布朗,CG刘易斯,约瑟夫·波利昆,雅茨·德·利瑟尔,凯西·奈斯泰德,珍妮特·罗斯·阮,吉姆·克洛克,乔恩·阿兹,戴恩·罗兹,怀尔德·韦恩,贾斯汀·贾木什,戈登·德克海默,卢克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂尔,约书亚·萨达索在新奥尔良的街道上，关于神秘新药丸的消息开始传播开来，这种药丸可以解锁每位使用者独特的超能力。但问题是：在服用之前，没人知道用药后会发生什么。一些人会进化出防弹皮肤、隐形能力和超强力量，也有很多人会表现出更致命的反应。但是，当药丸使城市内的犯罪升级到危险水平时，当地警察（约瑟夫·高登-莱维特饰）与一名少女小贩（多米尼克·菲什巴克饰）和誓报私仇的退伍士兵（杰米·福克斯饰）联手以硬碰硬，他们冒着服用药丸的风险，以追踪并制止制造出该药丸的团队。
寒栗第二季
达妮察·丘尔契奇,米克尔·福尔斯加德,苏菲·格拉宝,卡廷卡·莱尔克·彼得森,厄兹勒姆·萨格拉马克,埃斯特·伯奇,安德斯·霍夫,米歇尔·比约恩-安德森,克里斯托弗·斯瓦内,梅特·弗兰克,安德斯·布林克·马德森,维利·武尔夫·博托夫特,埃拉·约瑟芬·隆德·尼尔松,比约克·斯托姆,玛蒂尔德·尤西比乌斯,伊达·塞西莉·拉斯穆森,优素福·韦恩·维特费尔特,安德斯·尼博格,弗雷德里克·曼瑟,丹·扎赫勒41岁的桑德拉·林德斯特伦失踪后被发现遇害，警方在她的数字足迹中发现，她已被未知凶手网络跟踪数月，对方不仅监视她的一举一动，还发送了带童谣的威胁视频。警探纳雅·图林与马克·赫斯再度联手调查，发现案件与两年前17岁少女艾玛·霍尔斯特的未破凶案手法如出一辙，两名受害者都深陷离婚与抚养权纠纷。随着调查深入，更多线索浮现，凶手的“捉迷藏式猎杀”游戏仍在继续，两人被迫直面案件背后的阴暗真相。
15点17分，启程巴黎
斯宾塞·斯通,安东尼·萨德勒,亚历克·斯卡拉托斯,朱迪·格雷尔,珍娜·费舍,贾里尔·怀特,托马斯·列农,托尼·海尔,P·J·伯恩,布莱斯·吉扎尔,斯蒂芬·考特尔,罗伯特·普拉尔戈,加里·维克斯影片源自真实事件，讲述2015年8月一列从阿姆斯特丹开往巴黎的高速列车上发生了恐怖袭击事件，三位美国士兵挺身而出将歹徒制服的故事，电影将根据三位当事人的回忆录改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
两架钢琴
弗朗索瓦·西维尔,娜迪亚·特列什科维奇,夏洛特·兰普林,伊波利特·吉拉尔多,阿尔芭·贝露琪,Anne Kessler,杰里米·勒温,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅兰妮·古思,帕斯夸莱·当卡,Michaël Maïno,Rafaël Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段经历后回到法国，钢琴家马蒂亚斯·福格勒将再次与他的导师埃伦取得联系，为一场音乐会做准备。在一座公园里，他将邂逅一个与自己长得一模一样的孩子，而这个孩子会把他引向克洛丁——一位他曾在某个时代深爱过的女人。
给阿嬷的情书
李思潼,王彦桐,吴少卿,郑润奇,王晓慧,赵曙光,李德如,李树浩,乌萨·萨梅坎姆,方培松潮汕阿嬷叶淑柔一直守着平淡的日子，安享晚年。孙子晓伟因债务缠身，瞒着家人远赴泰国，寻找传闻中的亿万富豪阿公郑木生。然而，晓伟最后却带回了一个震惊整个家族的消息：阿公早已不在人世，那个与阿嬷一直在书信中谈情说爱的，竟是一个陌生人。随着晓伟的调查，一段隐藏了半世纪的感情赫然袭来，击中了阿嬷的心。
光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙这部电影是伍迪·格斯的优秀传记，他是美国最伟大的民谣歌手之一。他在上世纪30年代离开了自己位于得克萨斯州的家，去找工作，发现了美国工人阶级的苦难和力量。