剧情简介
一个多愁善感的老女人和一个十几岁的男朋友。他们彼此喜欢，所以她和他谈论她自己，她的灵性，神秘主义和存在本身。他们变得形影不离，所以他嫉妒的母亲面对着她。
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泰勒·拉塞尔,洛根·米勒,霍兰·罗登,茵蒂娅·摩尔,托马斯·康奎尔,伊莎贝拉·弗尔曼,詹姆斯·弗莱恩,卡利托·奥利维罗,杰米-李·蒙尼,坦娅·范·格拉恩,阿维亚娜·亚伯拉罕好莱坞惊悚大片《密室逃生2》由《速度与激情》系列金牌制片人重磅打造，前作曾创下中国影史进口惊悚片票房冠军。续作在闯关难度和惊险刺激程度上全面升级，集结全球顶级玩家合力解锁超高难度密室，开启命悬一线的残酷生存之战。
动物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.
冲动2023
玛丽亚·露可安诺娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亚·科莫里基-格兰科夫斯卡亚,Dmitry Khromyh,Islam Kurukov,克塞妮娅·库捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活，包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北，在他们广阔国家的极端气候中漫游。
愿者安息
里法特·桑贾尔,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
郊区男孩 3
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忠勇之家
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