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剧情提要
破裂的日本經濟,清純小人妻面對幼稚的丈夫無法承擔公司業務的損失....
暗夜精选
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott Hinds他们之后的孩子
保罗·基尔舍,安吉丽娜·沃雷斯,赛义德·艾尔·阿拉米,阿娜伊斯·德穆斯蒂埃,露易丝·莱赫里,吉尔·勒卢什,路易·梅米,露德温·塞尼耶,Denis Simonetta,Anouk Villemin爵士之王
保罗·惠特曼,约翰·博尔斯,劳拉·拉普兰特,珍妮特·洛夫,格伦·特莱昂,William Kent,斯利姆·萨默维尔,The Rhythm Boys,凯瑟琳·克劳福德,卡拉·莱姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃尔特·布伦南,Churchill Ross,约翰·阿利奇,内尔·欧黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克劳斯贝,杰克·富尔顿网红女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,马太乌兹·巴纳斯乌克,Rafal Królikowski南部僵尸来袭
Megan Few,Jeremy Sande,Michael Joiner临时家族
张双利,盛朗熙,李洛伊克里斯托弗系列
伊恩·麦克莱恩,米凯拉·科尔,杰西卡·古宁,詹姆斯·柯登,Dmitri Prokopiev,Tilly Botsford,丹尼尔·弗恩,Lucy McCormick,Le Fil,达拉斯·坎贝尔,Ferdy Roberts,斯图尔特·库克同系列推荐
私生活2025
朱迪·福斯特,维尔日妮·埃菲拉,马修·阿马立克,丹尼尔·奥特伊,文森特·拉科斯特,卢安娜·巴杰拉米,索菲·勒图讷尔斯大林格勒大血战
鲍沃斯·布斯,柳博米拉斯·劳恰维丘斯,谢尔盖·尼科年科,费尔南多·阿连德,米哈伊尔·乌里扬诺夫,格特·容加斯,鲍里斯·涅夫佐罗夫,布鲁诺·弗雷因德利赫,亚历山大·戈洛博罗德科,Yevgeni Burenkov,费奥多尔·邦达尔丘克,卡尔·海因茨·乔恩斯基,欧克萨娜·范德拉,谢尔盖·加尔马什,瓦伦丁·格鲁本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿尔乔姆·卡拉佩强,季格兰·格奥萨扬,尼古拉·克留奇科夫,罗纳德·莱西,Horst Schulze,La惊魂记1960
安东尼·博金斯,维拉·迈尔斯,约翰·加文,珍妮特·利,马丁·鲍尔萨姆,约翰·麦克因泰,西蒙·奥克兰,弗兰克·艾伯森,帕特里夏·希区柯克,沃恩·泰勒,卢伦·塔特尔,约翰·安德森,莫特·米尔斯,吉特·卡森,维吉尼亚·格雷格,阿尔弗雷德·希区柯克,珍妮特·诺兰,罗伯特·奥斯本,海伦·华莱士,Fletcher Allen,沃尔特·培根,弗朗西斯·德塞尔斯,乔治·多克斯塔德,乔治·埃尔德雷奇,哈珀·弗莱厄蒂,萨姆·弗林特,弗兰克·基尔蒙德,泰德·奈特,帕特·麦卡弗里,汉斯-乔基姆·默比斯,弗雷德·谢威勒副总统
克里斯蒂安·贝尔,艾米·亚当斯,史蒂夫·卡瑞尔,山姆·洛克威尔,娜奥米·沃茨,艾丽森·皮尔,埃迪·马森,贾斯汀·柯克,丽莎盖伊·汉密尔顿,杰西·普莱蒙,比尔·坎普,唐·麦克马纳斯,莉莉·拉贝,谢伊·惠格姆,斯蒂芬·阿德利·葛尔盖,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,马修·雅各布斯叶塞尼亚
杰奎琳·安德瑞,乔治·拉瓦特,艾尔玛·洛扎诺,胡安·加利亚,奥斯卡·莫雷利,Pilar Sen,伊莎贝拉·科罗娜,Claudia Martell,艾丽西亚·罗德里格斯,奥古斯托·贝内迪克,维克托·阿尔科塞尔,何塞·巴伐利亚,罗莎·弗曼,Maria Wagner,费尔南多·索莱尔诗人2025
乌贝马尔·里奥斯,蕾韦卡·安德拉德,吉列尔莫·卡多纳,阿利森·科雷亚,翁贝托·雷斯特雷波,玛格丽塔·索托幕后花絮
妖兽都市
故事发生在未来世界,阿龙(黎明 饰)和阿强(张学友 饰)都是抓捕妖兽的特警队警员,但是上司(袁和平 饰)非常器重阿龙,而对阿强就戒心重重。阿强气不过在酒吧买醉,得到了女友(李若彤 饰)的支持宽慰。然而,他心头总是笼罩着阴影——原来阿强的母亲也是妖兽,后来他把这个隐秘告诉了阿龙。阿龙也坦白了自己跟妖兽幻姬(李嘉欣 饰)的一段感情…… 此后,阿龙在一次抓捕元大宗(仲代达矢 饰)的行动中,重逢了现已成为元妻的幻姬,情急之下却要引出重重误会。其实,元大宗是要跟人类合作的妖兽,但是另有一股液态妖兽正在肆虐地侵袭这个城市。在对抗液态妖兽的过程中,阿龙与幻姬的感情经历了生死的考验,但是元大宗的儿子鬼众道(张耀扬 饰)却设计离间意图消灭人类,与此同时阿强也发现了特警队的叛徒……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.