性伴侣

评分:0.2 播放:93万 更新:2026-05-26
主演: 坂本礼/

大助はアパートで恋人の美果とセックスに明け暮れていた。そこへ少年時代の野球仲間ツトムがひょっこり訪ねてきた。彼が置き忘れた携帯電話を届けるため、2人はツトムが住む町へ向かうが、彼は8年前に事故で死んだという。道中出会った、かつての対戦相手?憲太郎とその恋人を含めた4人が途方に暮れていると、ツトムの携帯が鳴った…海外影院tv

剧情简介

大助はアパートで恋人の美果とセックスに明け暮れていた。そこへ少年時代の野球仲間ツトムがひょっこり訪ねてきた。彼が置き忘れた携帯電話を届けるため、2人はツトムが住む町へ向かうが、彼は8年前に事故で死んだという。道中出会った、かつての対戦相手?憲太郎とその恋人を含めた4人が途方に暮れていると、ツトムの携帯が鳴った…海外影院tv

为你推荐

爱我爱我

米尔·詹金斯,佩佩·巴罗佐,卢卡·梅卢奇,Andrea Guo,Michelangelo Vizzini,Madior Fall,Vanessa Donghi

朱恩(June)在哥哥去世后搬到意大利,寻求新的开始。在她的新精英学校里,她被詹姆斯(James)吸引,詹姆斯是个勇敢却危险的人,卷入了非法综合格斗(MMA)比赛,但她却开始和詹姆斯最好的朋友威尔(Will)约会,威尔是个完美的模范学生。然而,表象具有欺骗性,朱恩很快发现学校里的人都并非表面那样,每个人都隐藏着秘密。随着紧张局势加剧,隐藏的真相浮出水面,朱恩需要决定自己的心真正属于谁。

英雄无声

牛丽燕,刘旭

该片由四个单元组成,分别是《军属》《遗嘱》《抉择》《生命大接力》。《军属》讲述解放军军官侯泽刚率队到国外执行维和任务后,他怀孕即将分娩的妻子吴秀芬查出患癌症,腹中的二孩刚出生就夭折,吴秀芬对丈夫隐瞒实情,顽强地抗击病魔和抚养7岁的大儿子,让丈夫在国外安心执行维和任务的故事;《遗嘱》讲述双拥模范许大周一家几十年如一日祭奠革命烈士的故事;《抉择》讲述双拥模范郑尚德一家三代人守护烈士陵园几十年的故事;《生命大接力》讲述县武装部政委边文军救助受重伤生命垂危的贫困女孩小刘梅的故事。

用武之地

肖央,齐溪,任达华,郑恺,潘斌龙,法提,奥黛丽·欧塔维阿诺

影片取材自境外幸存人质真实自救经历。                                                                        驻外记者马笑(肖央 饰)和志愿医生潘文佳(齐溪 饰)夫妇,陪同工程师苗峰(郑恺 饰)赴郊区修理基站,当地局势突变。三人一路躲避恐怖组织的无差别袭击,最终还是被绑架沦为人质,并在狱中结识了华侨商人周伟杰(任达华 饰)。面对恐怖分子闻所未闻的屠杀暴行和以命换钱的勒索,他们历经105天,展开了一场惊心动魄的自救逃生。

月球漫步2024

柳承穆,黄智雅,金敏京,宋东焕

对于16岁的女孩Jung-hee来说,一年中最困难的一天是她祖母的阵亡将士纪念日。郑熙通常很难和酗酒的母亲相处,但在这一天,她大喊大叫的祖父的妹妹来了。她每年都会责骂正熙的母亲和叔叔,问她为什么为自杀的祖母做追悼会,而不考虑找到离家出走的祖父。自从他的祖父在正熙出生的那天失踪后,正熙不知怎么地觉得这是她的错。所以Jung-hee决定去冒险,在那里她可以解开所有的秘密,结束她母亲的青春期。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

两张彩票

多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢

  是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片,主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人,幸运之神似乎从未光顾过他,因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而,有一天迪奈勒买彩票,意外中了大奖,这让他重新燃起了生活的希望。但他似乎高兴过了头,导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。

我,许可

文淇,秦海璐,白客,李雪琴,牛莉,刘佳,啜妮,王和,张馨文,张懿曼,黄少峰,李哲霆,黄博远,李冠廷,刘杰毅,合文俊,翟韬

 00后“母单”女孩儿许可(文淇 饰)面临一场迫在眉睫的妇科手术,却因妈妈胡春蓉(秦海璐 饰)的突袭式造访打乱了所有计划。母女同居,冲突乍起。在新旧观念的摩擦中,没想到女儿对妈妈展开了一次又一次反向教育——跟妈谈心,不如带妈蹦迪;给妈上生理课,不如直接送妈小玩具……最终许可能否顺利手术,胡春蓉又能否鼓起勇气开始新生活?这场笑点和泪点齐飞的大戏,又将如何重塑两人之间的母女关系……