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格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫时速72
弗兰克·斯帕诺,乔治·阿克拉姆远古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡纳,多米尼克·基汀,Maureen Kedes猿山异闻录
袁福福,王培祎,王青,王纯,邵峰,付宏声,卢勇,何承熹,宋建霖赤赤炼恋
土屋太凤,吉泽亮,千眼美子,吉田羊,大杉涟,有森也实最伟大的时光
艾斯林·贝亚,马修·麦克诺提,爱丽丝·洛维,伊莎贝尔·贝尔纳多,埃玛·阿莫斯,罗拉·麦克唐纳,齐吉·希思,马克·伍顿,阿尔弗雷多·塔瓦雷斯,Jayde Adams,安马卡·奥卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou同类精选
跨国银行
克里夫·欧文,娜奥米·沃茨,阿明·缪勒-斯塔尔,乌尔里奇·汤姆森,布莱恩·F·奥博恩这就是我2026
望月春希,斋藤工角头：斗阵欸
高捷,蔡振南,太保,喜翔,龙天翔,王识贤,夏靖庭,孙鹏,黄腾浩,张怀秋,黄尚禾,郑人硕,张再兴,唐振刚,吴震亚,黄冠智,林真亦,陈万号,白吉胜,李铭忠,崔浩然,黄镫辉,吴念轩,是元介,瑞玛·席丹,王阳明,陆明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永腾,游安顺,伊正,王自强,孙国豪,草爷古曼童
辛迪·米兰达,纳塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel你和我的5分钟
沈炫书,玄宇锡,孔敏晶,李东辉杀手算命师
莎拉·墨菲,乔纳森·斯托达德,Caina Summer Field,娜塔莉·丹尼尔斯,杰西卡·凯撒影视排行
捕蛇者说
雾山捕蛇人深陷苛政与蛇祸双重绝境，异变的阴影笼罩村落，一场关乎救赎与守护的博弈悄然开启。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地狱迪斯科
Soni Bringas,Stephen Ruffin,海伦妮·尤迪一对年轻夫妇准备烧毁洛杉矶最热门迪厅的舞池，结果召唤出一股渴望未出世婴儿的黑暗力量
端岛计划
苏查·玛娜英,阿萍雅·萨库尔加伦苏,吴翊歌,亚历山大·伦德尔南、欧、尼克、窦和梅是五个刚毕业没多久的新新人类，出于对影视行业和灵异题材的热爱，他们拍摄了一支闹鬼废墟的小短片。虽然没有获得相关公司的认可，但一经上传后很快得到网友的广泛关注和支持。在此之后，专门拍摄灵异题材的制作公司鬼域（Ghost Land）联系到他们，邀请三个人前往端岛拍摄。端岛是位于日本长崎一座形状酷似军舰的岛屿，19世纪末曾凭借丰富的矿藏赢得某大型企业的关注，但是随着能源方式的改编如今已变成遍布废墟的荒岛。 无所顾忌的年轻人们登上端岛，期间还遭遇传说中的美女美子的鬼魂，他们就此厄运缠身……