孔光系

寒栗第二季

41岁的桑德拉·林德斯特伦失踪后被发现遇害，警方在她的数字足迹中发现，她已被未知凶手网络跟踪数月，对方不仅监视她的一举一动，还发送了带童谣的威胁视频。警探纳雅·图林与马克·赫斯再度联手调查，发现案件与两年前17岁少女艾玛·霍尔斯特的未破凶案手法如出一辙，两名受害者都深陷离婚与抚养权纠纷。随着调查深入，更多线索浮现，凶手的“捉迷藏式猎杀”游戏仍在继续，两人被迫直面案件背后的阴暗真相。

大佛回国

侵略机器

在美国陆军游骑兵选拔的最后阶段，一支精英团队的训练演习变成了与一种难以想象的威胁之间的生存之战。

裂口女2

　　泽田家在岐阜县经营养鸡场，家里有三个姐妹花。大女儿泽田幸子（川村雪绘 饰）马上就要结婚，二女儿泽田雪枝（岩佐真悠子 饰）在美容院工作，小女儿泽田真弓（飞鸟凛 饰）正读中学，生性活泼。然而，突如其来的惨剧将幸福的一家推入了深渊。雪枝过去的男朋友铃木因为妒火攻心，想要加害雪枝，不料却把硫酸误泼到了真弓脸上。深受伤害的真弓从此失去了笑 容，两个姐姐陪伴在她身边不断鼓励她。　　不久后，真弓学校的同学以及毕业生接连被杀，整个街区笼罩在恐怖的阴影之中……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

午夜的太阳

该片翻拍自2006年上映的同名日本电影，讲述罹患罕见疾病——XP色素性干皮症的女主因为皮肤不能接受阳光照射，否则将出现生命危险。从此白天与之无缘，只能终日躲在家中，唯一的乐趣也只是趁着夜晚踱到车站广场唱着自己喜爱的歌。在这一过程中，女主渐渐喜欢上时常路过车站的冲浪男孩的爱情故事。