くノ一忍法帖忍者月影抄
将軍の秘密をめぐって、甲賀忍者と宿命の対決を繰り広げる伊賀のくの一たちの活躍をSFXとエロスで描く。原作は、山田風太郎の『忍者月影抄』。くノ一忍法、母如礼縫亡（ボジョレ?ヌーボー）、五色玉など、愛すべきお色気技が充実していて見所満載。享保の改革で名高い徳川八代将軍吉宗は、表の顔とは裏腹に好色で、その大奥は腐敗していた。正義感の強い徳川御三家?徳川宗春は、その秘密に憤り、伊賀くノ一衆を率いて偽善者吉宗を告発しようとする。ところが、そこに甲賀忍者?卍谷衆が登場する。彼らは、吉宗の女たちを辱めるために雇われたのだった。秘儀を尽くして、彼らの間で死闘が始まるが???艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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盖·皮尔斯,崔维斯·费米尔,约翰内斯·豪克尔·约翰内森,科林·萨蒙,奈德·丹内利,玛蒂尔达·鲁茨,乔纳森·阿里斯,安东尼娅·坎贝尔-休斯,欧文·弗热瑞,玛吉·克罗宁,Jorin Cooke,Holly Demaine动物本能
古勒莫·法兰塞拉,卡拉·彼德森,Gloria Carrá,马塞洛·索比奥托审判游戏
阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂真人快打2
卡尔·厄本,阿德莱恩·鲁道夫,杰西卡·麦克娜美,约什·劳森,林路迪,麦卡德·布鲁克斯,塔蒂·加布里埃,刘易斯·陈,达蒙·海瑞曼,黄经汉,浅野忠信,乔·塔斯利姆,真田广之,马丁·福特,安娜·图·阮,朱利安·威克斯,戴斯蒙·詹,黄又亮,艾萨克·普瑞斯特,CJ·布隆菲尔德我是卧底2026
邹兆龙,于荣光,李彦奎,王韬,文东俊,张沙沙,王铂清杀木地
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午夜之子
雅各布（Zak Kilberg 饰）是一个奇怪的小伙子，他似乎患有一种怪病，这种病令他无法生活在阳光之下，长久以来，雅各布一直都隐藏在黑暗之中，直到有一天他邂逅了一位名为玛丽（Maya Parish 饰）的调酒师，相互吸引的两人很快就坠入了爱河之中。 渐渐的，玛丽察觉到了雅各布异于常人的地方，他的行为举止不仅变得越来越古怪，雅各布还必须时时克制自己越来越汹涌的嗜血欲望。为了获得血液，雅各布杀了人，现在，他需要担心受怕的事情又多了一件，如何躲避警察的调查成为了重中之重。可即便如此，雅各布还是深深的爱着玛丽，为了能够将玛丽留在身边，雅各布不得不做出更加出格的举动。
不明影像：绝对点击禁止
朴宝英,周元,江星在网络监查科兼职的大学生俊赫，为了和生气的女友世熙（朴宝英 饰）重归于好，转而求助于女友的妹妹——高中女孩静美。静美是一个沉迷以来网络的时尚女孩，她答应帮助俊赫，条件是俊赫能帮她找一些网上封禁的稀奇古怪的视频。万般无奈，俊赫只得帮忙寻找，谁知却意外下载到一段诡异的视频。这段视频每次的文件名每次都会改变，每次打开后也会呈现不同的内容，甚至在看完之前都无法关闭。倒霉的静美似乎恰恰碰上了那个传说中的诅咒视频，在此之后，她的周围接连发生诡异事件。 网络时代带来便利，也衍生了假象与罪恶，通往地狱的大门慢慢开启……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
自由万岁
华莱士·比里,里奥·卡利罗,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...
歌舞大王齐格飞
威廉·鲍威尔,玛娜·洛伊,路易丝·赖纳,弗兰克·摩根罗伯特．Z．伦纳德导演的这部影片以百老汇最大的歌舞团——齐格菲歌舞团的创办人佛罗伦斯．齐格菲的生平为题材，是三十年代好莱坞歌舞片黄金时代的重要代表作之一。当时获得了第九届奥斯卡最佳影片等三项大奖，女星路易丝．莱娜演出齐格菲的首任妻子，获最佳女主角奖。齐格菲年轻时是杂耍节目中表演的艺人。1893年到百老汇发展，建立了歌舞团的知名度，1907年创办了以美女盛装演出大型歌舞著称的齐格菲歌舞团，赢得歌舞大王的称号。齐格菲一角由威廉．鲍威尔担纲演出，男女主角都表演得很好。