播放通道
详细简介
热门影视 大家都在看
遇见恶魔
塞缪尔·杰克逊,莱丝莉·比伯,卢克·威尔逊,佩顿·利斯特,翠茜·索姆斯,李·瑞恩卡萨诺瓦1976
唐纳德·萨瑟兰,蒂娜·奥蒙特,Cicely Browne,卡门·斯卡尔佩特,Clara Algranti,Daniela Gatti,玛格瑞斯·克里蒙地,奥林匹娅·卡尔立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼尔·埃米尔福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙顿,约翰·卡尔森,雷吉·纳尔德,芭芭拉·斯蒂尔,弗朗切斯科·德罗萨,Harold I不允许带狗
卡洛·克拉姆林,罗宾·桑德曼,卡塔琳娜·玛丽·舒伯特,斯蒂姆拜尔·蒙克,比内塔·汉森,肖恩·道格拉斯,萨米·施赖恩,维拉·菲,丽莎·里斯纳,奥勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉尔夫·霍尼克,弗兰茨·费迪南德·克劳斯,卡特娅·乌菲尔曼,芬雷·德亚文替补悍警
鲍勃·奥登科克,琳娜·海蒂,布伦丹·弗莱彻,亨利·温克勒,布莱恩·川上,莎莫·H·豪威尔,德里克·巴恩斯,杰西卡·麦克劳德,Dan De Jaeger,Reena Jolly,劳伦·科克伦,大卫·劳伦斯·布朗,卡森·纳特拉斯,彼得·新田,辻将太,辛妮·比斯顿,比利·麦克莱伦,瑞恩·艾伦,艾伦·默克,Takahiro Inoue虫2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田绢绪,细川佳央,桥野纯平,中山求一郎柏蒂娜的苦泪
玛吉特·卡斯滕森,汉娜·许古拉,卡特琳·沙克,埃娃·马特斯,吉塞拉·法克尔代,伊尔姆·赫尔曼同类推荐
入主客房
圭多·卡普里诺,卡米拉·菲利皮,爱德华多·佩谢,Romeo PellegriniThe morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
你行！你上！
姜文,马丽,张乘郝,王硕珑,陆一,于和伟,余皑磊,何赛飞,辛芷蕾,雷佳音,葛优,王传君,胡歌,甄子丹,丁志诚,李屏宾,李子为,曹操,吉娜·爱丽丝这是一对父子的传奇历险，也是两个野心家的一拍即合。从沈阳到美国，从3岁到17岁，弹琴胜似取经，八十八键多过八十一难，父子心无杂念，只管埋头向前，两人赤手空拳让美国殿堂艺术精英们刮目相看。
电影版淘气小企鹅啵乐乐甜蜜城堡大冒险
Su Jung Ham,Lee Sun-kyun,李美子...
旺达·塞克丝：一笑永流传
旺达·塞克丝Wanda Sykes回到她的母校，对从世界现状到围绕毛巾的文化冲突的一切进行了无畏而有趣的抨击。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster