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维奥莱特·麦格劳,玛德琳·麦格劳,亨利·托马斯,莎拉·林德,罗马·玛菲娅,菲利斯·索利斯,雅各布·莫兰,克里斯蒂娜·摩尔,Archer Anderson,Amato D'Apolito,Connor Hammond,马特·福勒,丹妮拉·麦斯米兰,阿里·阿夫沙尔,Brynne Kurland,罗琳·约克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine CurryFamily navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.
爱的证明2025
艾拉·朗夫,莫妮亚·乔柯里,诺埃米·洛夫斯基,埃米·朱尔兹科,朱利安·加斯帕-奥利维里,珍妮·亨利,奥德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亚,汤姆·哈拉里,伊娃·霍尔特,保利娜·贝尔,费利克斯·基赛勒,哈姆扎·梅兹亚尼,爱德华·苏皮斯,梅洛迪·波宁,罗安妮·塞古伦,玛丽安妮·杜布特2014年的法国迎来同性婚姻合法化。当妻子腹中孕育着新生命时，塞琳娜一边为争取收养资格收集证明材料，一边直面内心对母职的认知冲突。
赌侠大战拉斯维加斯
刘德华,张家辉,陈百祥,林熙蕾,郁芳,万梓良,李菲,王晶,南燕合力击败马交文之后，king（刘德华 饰）与化骨龙（张家辉 饰）联合化骨龙的表哥阿叻（陈百祥 饰）骗取了恶人大眼文一笔钱。当他们打算享受一番之际，大眼文把化骨龙抓走了。King与阿叻则被警方带到与中方高层见面，他们被派往拉斯维加斯捉拿大老千Peter朱（万梓良 饰）。为了得到巨款拯救化骨龙，king接受了这次任务，前往拉斯维加斯。 在拉斯维加斯，小心（郁芳 饰）与阿扁（林熙蕾 饰）一心想找到金龟婿，后来加入了king的老千行列。终于他们遇到了Peter，两人互相欺骗更多次交手，敌意渐生。 King用阿扁做饵勾引Peter成功，他们经由沙漠公路到洛杉矶，途中Peter极力逃脱。众人在沙漠奋力搏斗。Peter的手下竟然用直升机拯救，幸好king神机妙算，顺利把Peter带回香港。
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在战斗中受伤后患有PTSD的退伍军人，他怀孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一个腐败的警察，她的丈夫一直在为这个国家服务，她一直在帮她。瑞恩和托尼从来都不喜欢对方，而托尼试图干涉他们的婚姻，事情变得激烈起来。但是，当瑞恩在夜晚开始在他的房子里闪现出杀手，外星人和其他奇怪生物的闪光和幻影时，他不确定这是真的还是只在他脑海中。斯蒂芬妮已经和瑞恩在一起，对丈夫的行为深表担忧。随着岁月的流逝，瑞恩很快就会发现他的噩梦在他身上萦绕着什么邪恶的存在。
困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun因丢失尸体和爱人，罗伯特（Daktari Lorenz 饰）在绝望中以极其惨烈的方式自杀身亡。然而他的尸体并未因此得到宁静，仿佛命中注定一般，才被葬入黄土不久的罗伯特又被妙龄女郎莫妮卡（Monika M. 饰）挖了出来。莫妮卡和罗伯特一样，对死尸有着深深的迷恋，她和死去的罗伯特仿佛爱人似的生活在一起。 某晚，莫妮卡在电影院门口邂逅马克（Mark Reeder 饰），两人随即开始交往。看似浪漫的爱情虽然让莫妮卡一度想要改掉怪异的爱好，但她仍然无法接受爱情的索然无味。直到某天，马克发现了女友的秘密，他们的关系开始朝着不可预测的方向发展……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.