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剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanつばさの接写倶楽部 秋本翼
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阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基哈莉娜因为经济困难被迫取消了婚礼，于是她的亲友们决心制定一个疯狂的计划来吸引游客，增加收入。
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杰克逊·怀特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托马斯,杰克·马赫恩,大卫·杜楚尼,萨曼莎·玛西丝,帕姆·格里尔,克里斯蒂安· 杰达,Steve Love,卡尔·格拉戈萨斯,文森特·莱克莱尔,Glen Gould,马特·霍兰德,泰德·惠托尔,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny改编自斯蒂芬·金小说。是2019年那部宠物坟场的前传。讲述1969年贾德·克兰德尔发现了一段黑暗的家族史：一个神秘坟场里被埋葬的人和动物都会复活，但事情绝没有看起来那么简单。
首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり这部灾难影片背景以现代日本为中心，主要描写东京突然被一股莫名的浓雾所笼罩，整个都会好像一下子消失了似的，各地政府及科研人员因此极为震惊，急忙组织起来研究对策。但是人们却无法穿越浓雾进入东京首都圈。这场浓雾形成了一个无法穿越的电磁屏障。而圈外的科学家们则在受损严重的军用侦察机上得到灵感，利用即将到来的台风和雷暴雨，加上人工大功率电磁干扰机，终于化解了这场戏剧般的非自然危机。 这原本该是一个不错的富有戏剧张力的构思，但拍出来的片子却教人不敢叫好，剧中女记者的角色刻划不具感染力，而她和男记者之间时好时坏的关系描写也让人感觉莫名其妙，确是让观众感觉象一场雾。
绝世好Bra
古天乐,刘青云,梁咏琪,刘嘉玲,李珊珊,青山知可子,卓韵芝,莫文蔚,谷祖琳,冯德伦,田蕊妮,谭耀文日本著名胸围公司的香港区总裁Samantha（刘嘉玲 饰）破例聘请了Johnny（刘青云 饰）和Wayne（古天乐 饰）两名男设计师。他们的上司高级设计师Lena（梁咏琪 饰）觉得他们根本无法胜任这份工作，因此常常刁难他们。公司要求他们设计出一款“绝世好Bra”，可是多次失败。 在工作的过程中，Johnny和Wayne分别与Smantha和Lena产生了感情，最后他们也在各自女友的帮忙下，才最终把“绝世好Bra”设计成功。
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金子清文,藤村拓矢,中西裕胡,内藤正记,安原寛之,野二紀人在S县暑海市发生了一起连环失踪案件，受害者的遗体竟然都在海中被发现。为了揭开真相，警察署长与海洋生物学博士联手展开调查，最终他们发现，远古鲨鱼通过温泉来回穿梭，袭击了无辜的市民…
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.