剧情简介
恩美在博妍家住了几天 伯妍上班时,恩美垂涎在家里玩的姐夫哲佑。 一天,小惠贞在博妍的生日聚会上露面 诱惑醉酒的哲佑...
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天才游戏
彭昱畅,丁禹兮,李蔓瑄,邓恩熙,侯雯元穷途末路的天才少年刘全龙(彭昱畅 饰),被偏执富家公子陈伦(丁禹兮 饰)选中,被迫踏入一场为他量身打造的“换命游戏”。豪华别墅、名车名表、神秘女友全部备齐,在陈伦的精心打造下,刘全龙瞬间拥有顶配人生。这场表面上各取所需的交易,暗地里却杀机渐起。当众星捧月的快感喂大了野心,贪婪的目光开始盯上原主拥有的一切,那个曾经温顺的“猎物”,开始在暗处亮出獠牙,而掌控一切的“猎人”似乎也早有筹谋。无名的尸体、操控与反噬、扮演与沉沦,这场游戏里,究竟是谁在控制谁?
克罗克特先生
杰瑞卡·辛顿,Alex Alomar Akpobome,埃尔维斯·诺拉斯科,Kristolyn Lloyd,Lyla Randall,Akim Black,Gina Jarrin,Ayden Gavin,Melanie Christine Leon-Soon,Riley Vinson,Matthew LB McCollum,Jabari Striblin1993 年,发生了可怕的事件:一个神秘的儿童节目主持人克罗克特先生神奇地从电视机中出现,绑架了年幼的孩子杀害了其父母。而在克罗克特先生绑架了女主的儿子之后,女主开始了危险的追寻之旅,她要找到这个恶魔,救出她的儿子。
绝录求生
吴超,孙骁潇,吴楚,冯波,王思思,安琥,国庆,刘波现场网的马楠(孙骁潇 饰)和小鱼(吴楚 饰)是一对相恋多年的情侣,马楠不久在郊外购得一处房产,刚好又赶上小鱼的生日。于是他叫来同事兼好友张博(吴超 饰)、吴晓(冯波 饰)、龙梅(王思思 饰),为小鱼策划了一次生日派对,并计划向小鱼求婚。除了曾与小鱼有过露水因缘张博外,整晚的派对都在欢快的气氛下进行。马楠家隔壁住着一对经常吵架的夫妻,异常聒噪的吵闹声引起吴晓等八卦女的好奇,她们结伴来到隔壁一探究竟,却意外发现恐怖血腥的杀人现场。 原本就住户稀少的公寓,此时仿佛变成一座巨大的鬼屋。不断闪烁的灯光,凄厉刺耳的尖叫声以及丧心病狂的杀人者。一种如瘟疫般的病毒在公寓内肆意蔓延……
水之年代
伊莫琴·普茨,索拉·伯奇,詹姆斯·贝鲁什,汤姆·斯图里奇,查理·卡里克,杰瑞米·安·琼斯,厄尔·凯夫,苏珊娜·弗拉德,米迦勒·埃普,金·戈顿,亚历山大·约翰逊,埃斯梅·艾伦,安娜·维托夫斯基,安东·利特维诺夫,阿丽娜·利特维诺娃,多米尼克·加布里埃尔·罗塞蒂,哈尔·韦弗,埃莉诺·哈恩,彼得·伦德尔,玛丽娜·斯尼加莉迪娅从小在父亲的暴力阴影下长大,游泳是她唯一的逃避方式。她凭借奖学金进入大学,却在成年后陷入毒瘾、混乱的性关系和失去孩子的痛苦中。她的人生如同水流,时而湍急、时而沉寂,无法掌控方向。在最深的低谷中,莉迪娅开始写作。文字成为她的呼吸,也成为她重新定义自己的方式。她不再只是受害者,而是讲述者,是创造者。通过回望过去,她一点点拼凑出破碎的自我,也在写作中找到了勇气。 影片改编自莉迪亚·尤克纳维奇所著回忆录。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火狐
克林特·伊斯特伍德,弗雷迪·琼斯,大卫·赫夫曼苏联在1982年开发了米格31喷气机时,全世界大为惊恐,唯一对策只有盗取这架超性能之飞机,而有能力担任此任务的就只有越战空中英雄甘德,甘德终于被说服由退休生涯中复出,接受一连串的特种训练后,前往俄国并与俄国特务数次交手,展开一场惊心动魄的激烈空战……
我的阳过阿公
柯一正,蔡明修,唐从圣,陈竹升,孔令元,葛丞,李宜儒,阮安妮疫情被迫「三代同堂」,面对即将被法拍的祖厝,一家人从形同陌路到大胆计划,潜入殡仪馆只为证明阿公不是阳性过世,借此赚取告别式礼金。