不结婚的女人
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanA wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of sixteen years leaves her for a younger woman.
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大明嫔妃之离间
宋洋,朱一龙,何杜娟,关慧卿非凡
马克·韦伯,露西·格里菲思,大卫·克莱顿·罗杰斯,雷恩·威尔森小城犯罪
奥克塔维亚·斯宾瑟,约翰·浩克斯,凯蒂·洛茨,詹姆斯·拉夫尔提,小克利夫顿·克林斯,迈克尔·瓦尔坦,安东尼·安德森,丹尼尔·逊亚塔,戴尔·迪奇,罗伯特·福斯特,巴特·约翰逊,亚当·约翰逊,唐·哈维,肖恩·卡里甘恶徒2025
斯蒂芬·格拉汉姆,安德丽娅·赖斯伯勒,安森·布恩,奥斯汀·海恩斯,基特·拉库森,卡勒姆·布斯-福特,萨万娜·斯泰恩,诺亚·曼祖尔,Monika Frajczyk连环杀手夫人
杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan乐救武林
郑诗君,陆永,卫诗雅,夏尉喻,张兆辉,刘以达,陈嘉佳,陈少邦,戴铠霖,许俊豪,欧源,葉灝基,劳浩羽,陈康琪,关嘉敏同类推荐
取款机杀人夜
爱丽丝·伊芙,乔希·佩克,布莱恩·格拉格提,阿隆·休斯,奥马尔·可汗,威尔·沃伊托维希,格伦·汤普森一年一度的圣诞佳节终于到来,在狂欢派对上,投资公司职员大卫(布瑞恩·杰拉夫迪 Brian Geraghty 饰)终于鼓起勇气向刚刚辞职的美丽女职员艾蜜莉(艾丽丝·伊芙 Alice Eve 饰)搭话,聚会中途,二人驱车和他们的朋友科瑞(乔什·派克 Josh Peck 饰)一同返回。此时已近深夜,希望买点儿什么吃的的三个人进入某自动提款机服务站取钱,可是正待出门时却发现一个神秘阴森的身影站在外面,后者更在众目睽睽之下杀了一个陌生的流浪汉。 大卫等人就这样被困在方寸之间,看似随机的袭击事件,一切似乎又尽在神秘之人的掌控之中,他们最终能否逃脱?还是成为恐怖袭击者的牺牲品?
女人
宝拉雅娜·麦金托什,劳伦·阿什利·卡特,肖恩·布里吉格斯,安吉拉·贝蒂斯,卡尔利·贝克,马西娅·贝内特,乔安娜·哈灵顿,汤米·尼尔森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis影片讲述了一个从小被抛弃于森林,依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中,男主人极度大男子主义,仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲,被父亲侮辱而怀孕的大女儿,以及不谙世事的小女儿。故事的最后,大女儿在极度绝望和恐惧的支配下放了野女人,野女人杀了她的父母和弟弟,带走了她的妹妹。 本片以不太恐怖的氛围,却深刻的暗喻了一个至今仍然存在的严重的社会现象,男人应该如何看待女人,女人应该如何正确扮演家庭中的角色。
她的重生
玛丽安娜·芳塔娜,乔瓦尼·安扎尔多,Demetra Avincola,Dalila De Marco,洛伦索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒缓的节奏下呈现了一位女性重塑自我之路,故事主人公安娜为她十几岁时犯下的谋杀罪已经服刑15年,虽然服刑期满,但周围异样的眼神意味着 对她的审判仍未结束。安娜离家远行来到一个小镇并找到工作,准备开启新生活,但她仍需与封闭、恐惧、偏见不停斗争,那些旧日时光留下的黑洞,必须由她亲自填补。
惊奇队长
布丽·拉尔森,裘德·洛,塞缪尔·杰克逊,本·门德尔森,安妮特·贝宁,麦肯娜·格瑞丝,克拉克·格雷格,嘉玛·陈,李·佩斯,杰曼·翰苏,拉什纳·林奇,阿基拉·阿克巴,科林·福特,卓库·莫度,肯内特·米歇尔,罗伯特·卡辛斯基,詹姆斯·莫里森,皮特·普劳泽克,马修·马希尔,安东尼·莫利纳利,马修·弗林·贝罗斯,加斯顿·达尔莫,亚当·哈特,马克·多尔蒂,雷尼尔·鲁菲诺,约翰·盖蒂尔,斯坦·李,克里斯·埃文斯,斯嘉丽·约翰逊,马克·鲁弗洛,唐·钱德尔在围剿斯克鲁人的战斗中,克里人星际战队成员弗斯(布丽·拉尔森 Brie Larson 饰)不幸成为对方的俘虏。斯克鲁人尝试探究弗斯的记忆,最终发现连弗斯本人都不知道的一段往事,进而也得知名为温迪•劳森博士的女子掌握着他们急于得到的时空引擎。趁对方不备,拥有强大超能力的弗斯摆脱束缚,逃到了代号为C-53的地球,而这里也正是她那段失落的记忆的发生地。未过多久,神盾局探员弗瑞特工(塞缪尔·杰克逊 Samuel L. Jackson 饰)找上门来,而紧随其后的斯克鲁人更是引发了地球人前所未见的大骚动。 在这一过程中,弗瑞特工意识到事态的严重性,并且帮助弗斯认清本来的自己。倔强的弗斯,终于找到了真正需要保护的东西……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.