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丹凤眼
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阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂伟大的觉醒
John Paul Sneed,乔纳森·布莱尔,Josh Bates,Joe Dignoti,Stephen Foster Harris头颅游戏
Carly Steel,莱昂纳德·罗伯茨,杰咪·希尔,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison邪恶之屋
乔赛琳·唐娜休,汤姆·诺南,玛丽·沃伦诺夫,格蕾塔·葛韦格,AJ·鲍恩,迪·沃伦斯,希瑟·罗博,莉娜·邓纳姆,格雷厄姆·瑞斯尼克,缇·威斯特禁果
莉莉·莱因哈特,罗拉·董,加布里埃尔·尤尼恩,维多利亚·佩德雷蒂,亚历山德拉·希普,大卫·皮纳德,奥斯汀·鲍尔,艾玛·张伯伦,查理·亨利·拉尔森,西德哈特·沙玛,海莉·莎莫,Caroline Vartanian,乔丹·杜阿尔特,Jeff Sinasac,Katherine Cruz同类精选
骗徒与致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃尔詹·杜马斯,米拉·帕尔泰克,伯恩哈德·舒茨,妮可尔博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,马格努斯·克雷佩1863起义者
卡罗琳娜·辛查克,达尼尔·奥勒布里斯基,赛巴斯汀·法比杰斯基极限人生2026
张子栋,张雪菡,肥龙,王蕊,曹然然,王晓曦,吴连生检事霞夕子～无关系的死～
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翁拉维·那提通,芬蒂拉·皮皮亚克隆,娜帕帕·丹特拉库尔,苏提拉克·素维杰拉鬼猫
黄氏·塞缪尔·安,Thien An,红桃,Nguyen Thuc Thuy Tien影视排行
突破二十五马赫
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯描述一群青少年学生参加美国太空总署主办的太空夏令营，亲身体验太空登月的操作环境。不料在一次意外中，他们乘坐的太空舱竟然真地发射升空，几个年轻人登时六神无主，幸好有一个机器人留在舱中协助他们化险为夷。在众多的太空科幻片中，哈瑞．温勒导演本片较著重太空知识的传递而非眩目迷人的特效。外景在NASA 实地拍摄，有些地方颇令人大开眼界。凯特．卡普肖饰演女教官、利．汤普森、凯利．普雷斯顿饰演太空历险的学生，但最讨人喜欢的还是那个造型和表演都相当有趣的机器人。
伪钞重案
吴樾,谭凯,包贝尔,修睿,王李丹鈮,梁颂晴,雷牧,好奇,沐岚,王蕴凡,郭桐溪上世纪九十年代，特大伪钞案暗流涌动，社会动荡不安。退役散打王郑明为救治白血病女儿，意外踏入凶险的伪钞产业链，在生死边缘挣扎求生。刑警谢家同誓破伪钞源头，二人从针锋相对到暗中周旋，上演猫鼠博弈。郑明在暴利与良知间反复拉扯，暗中向警方传递线索，试图戴罪立功。当他决心交出核心伪钞母版、彻底脱身时，女儿却被绑架要挟。绝境之下，他与谢家同放下隔阂，联手出击，在宗族宗祠与民俗游行中展开终极血战，捣毁庞大伪钞帝国，以热血捍卫正义与亲情。
双山阻击战
洪卫,刘冠霖,葛佳佳,郭广平,周惠林回望历史所带来的震撼，它让我们牢记：中华儿女只要万众一心，就能抵御一切来犯之敌，就能实现屹立于世界民族之林的中国梦。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster