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艾伦·艾克哈特,本·金斯利,安格斯·桑普森,迈德琳·怀斯特,凯莉·盖尔,拉米安·纽顿,莫莉·贝尔·赖特,马克·哈德洛,罗伯·基帕-威廉姆斯,露西·巴雷特,普里亚·贾恩,理查德·克劳奇利,瑞恩·邦恩,拉科塔·约翰逊,杰奎琳·李·戈尔茨,凯特·菲茨帕特里克,加文·李,那尔那茜,李汶翰,赵思玫瓢虫少女特别篇：巴黎故事
两架钢琴
弗朗索瓦·西维尔,娜迪亚·特列什科维奇,夏洛特·兰普林,伊波利特·吉拉尔多,阿尔芭·贝露琪,Anne Kessler,杰里米·勒温,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅兰妮·古思,帕斯夸莱·当卡,Michaël Maïno,Rafaël Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy派对浪客孔明 THE MOVIE
向井理,上白石萌歌,藤冈靛,森山未来,神尾枫珠,诗羽,菅原小春,八木莉可子,宫世琉弥,森崎温,石野理子,石崎Huwie,和田理生,本间朋晃,真壁刀義,长冈亮介,蔷薇园啊呜,菊地凛子,和田聪宏追恶
释小龙,王真儿,刘峰超,刘怡潼全职
劳尔·卡拉米,安妮·苏亚雷斯,杰纳维夫·马尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里尔·盖伊,露西·加洛,Agathe Dronne,玛蒂尔德·韦尔,Dana Fiaque,Mareme N'Diaye,奥利维尔·法利兹,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Klaï,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui影视排行
养鬼吃人9：启示录
史蒂文·布兰德,丹尼尔·布兰,Jolene Andersen某个晴朗假日，美国青年尼克（Jay Gillespie 饰）和好友史蒂文（Nick Eversman 饰）驱车穿越国境线，打算前往墨西哥的提华纳寻找一次绝佳的艳遇。他们很快便锁定了一个性感尤物，但是突如其来的意外让二人的狂欢设想灰飞烟灭。正当他们垂头丧气之际，某当地人送给二人一个精致的魔方。尼克和史蒂文的命运就此改写，他们也有如人间蒸发一般消失。 尼克和史蒂文的失踪给各自家人莫大的打击，在一次家庭聚会中，艾玛（Tracey Fairaway 饰）从两人的行李中找到了那枚魔方，而浑身是血的史蒂文也突然出现在房间内。家人们对此感到惊奇喜悦，却不知道丁头鬼的魔爪正慢慢伸向他们……
X 放射线
詹姆斯·惠特摩,埃德蒙·戈温,詹姆斯·阿尼斯,琼·韦尔登有个惊吓过度的小女孩在沙漠游走，唯一吐出的只有一个字：怪物！任何50年代恐怖片迷都会马上告诉你，她所指的”怪物”就是巨蚁，那是在当地核子试爆后的副产品。这些巨蚁非常有组织，嗜肉且体型巨大，约有8到20呎，它们群聚在洛杉矶的下水道系统，彷若一个巨大的蚂蚁园区，准备好要接管这个世界。要和这些怪物对抗的人类精英是新墨西哥警署探员詹姆斯惠特摩，联邦调查局代表詹姆斯亚尼斯，和一对由埃德蒙关恩和乔安妮威尔登所饰的父女档昆虫学家。
彼得·潘的梦幻岛噩梦
彼得·德索萨 Peter DeSouza-Feighoney,马丁·波特洛克,Megan Placito,尼古拉斯·伍德,凯利斯顿·韦勒英,Chrissie Wunna,珍妮·米勒,凯莉·里安·桑松,Amanda Jane Cooper,亚当·斯皮尔斯,Charlotte Jackson,Kat Green温蒂为了救回被掳走的弟弟麦可，不惜踏入「邪恶彼得潘」的血腥炼狱。她在那里还遇见了被毒品腐蚀、形容枯槁的小叮当。温蒂将要面对的不仅仅是扭曲的童话，还有那令人窒息的恐怖真相。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster