继父2026
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剧情提要
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暗夜精选
天使的印迹：苦难
热拉尔·德帕迪约,乔伊·斯塔尔,玛尔特·克勒尔,蒂埃里·莱尔米特,汤姆·霍夫曼,马修·加里瑞,伊莲娜·诺古哈,吕迪格·福格勒群鸟之地
卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露人蛇大战2022
李劲峰,苏濛濛,骆达华壮志千秋
理查德·迪克斯,艾琳·邓恩,埃斯特尔·泰勒,南斯·奥尼尔AI 爱上你
平采娜·乐维瑟派布恩,马里奥·毛瑞尔,萨哈贾克·波斯安吉特,大卫·阿萨瓦纳德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul虚拟实惊
杰西卡·德·古维,托马斯·康奎尔,TJ·鲍尔,利亚姆·格雷厄姆,普丽西拉-安妮·福德,侯宣德,莎罗姆·布龙-富兰克博格曼
扬·贝弗特,哈德维奇·米尼斯,杰罗恩·佩瑟瓦尔,亚历斯·冯·华麦丹,汤姆·德威斯布莱尔,莎拉·约尔特·蒂特莱芙瑟,安妮特·马尔赫毕幕后花絮
私房钱事件
一对出现感情危机的情侣，奔赴荒山深处的度假屋，展开浪漫之旅。然而各怀心事的两人彼此设计，意外被卷入一场绑架与追杀。荒山夜逃、冰湖惊魂，在绝境的生死考验中，他们被迫携手同行，危机四伏间，爱与信任被重新唤醒，二人终于明白相守的意义。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.