情色妄想
影片通过一种非线性的碎片化叙事，展现了主角内心深处被压抑的狂暴妄想。女主角凯茜（由 Brigitte Lahaie 饰演）陷入了一系列无法分辨虚实的梦境中：在这些恐怖且迷人的幻想里，她在阴森的古堡与现代的都市间穿梭，经历着关于剧情反转与感官极限的洗礼。影片模糊了道德与疯狂的界限，将人类潜意识里的贪婪与恐惧以极具视觉冲击力的方式呈现出来，是 70 年代法国影坛少有的“烧脑”伦理大作艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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热门影视 大家都在看
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Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher粗野派
阿德里安·布罗迪,菲丽希缇·琼斯,盖·皮尔斯,乔·阿尔文,拉菲·卡西迪,斯塔西·马汀,艾玛·莱尔德,伊萨赫·德·班克尔,亚历桑德罗·尼沃拉,亚里安妮·拉贝德,米迦勒·埃普,乔纳森·海德,彼得·多卡普,玛利亚·桑德,泽潘·汉森·阿米萨,萨尔瓦多·桑索内,查理·埃索科,列文特·奥尔班,贝内特·维尔曼尼,彼得·德意志,安娜·梅索伊,杰米斯·巴特勒,尼克·威特曼,娜塔莉·欣尼克,杰瑞米·惠勒,马特·戴维尔,斯蒂芬·萨拉科,彼得·林卡,罗伯特·杰克逊,多拉·萨塔伦基致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo数码宝贝大电影五：冒险者的战斗
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太手遮天
刘峰超,袁福福,淳于珊珊鬼猫
黄氏·塞缪尔·安,Thien An,红桃,Nguyen Thuc Thuy Tien同类推荐
网红女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,马太乌兹·巴纳斯乌克,Rafal Królikowski网坛新星Zosia，绰号Just Sophie，发现她的男朋友，流行的YouTuber Komfi有外遇。当背叛曝光，普德莱克被揭露时，女孩决定接受深受网友喜爱的维奥拉的邀请，和她一起去国外旅行，以获得赞助商的钱。Zosia访问了塞浦路斯、伊维萨岛、马耳他、希腊和意大利的独家度假村，为粉丝的影响力和关注而战，加入了波兰影响者的精英行列。不幸的是，当她的前男友与性感的健身博主宝拉有染时，她与前男友的爱情丑闻变得越来越大，维奥拉的黑暗过去又回来困扰着她。当有趣的细节和隐藏的秘密浮出水面时，Zosia将面临一个难以接受的事实，即她如此渴望属于的环境。
玉米地的孩子：起源
琳达·汉密尔顿,考特尼·盖恩斯,彼得·霍顿年轻情侣波顿（Peter Horton 饰）和维姬（Linda Hamilton 饰）旅行路过内布拉斯加州盖特林镇，他们在公路上发现一具儿童尸体。为了报警，两人驱车驶入盖特林镇，却发现镇上的情况更为诡异蹊跷：这里似乎是儿童的王国，所有成人均不见踪影。孩子们全都听命于一个名叫艾塞克（John Franklin 约翰•法兰克林 饰）、自称上帝使者的小男孩。 镇上的大人究竟哪里去了？孩子们充满恶意的眼神背后究竟隐藏着什么秘密？波顿和维姬最终能否活着走出小镇？ 本片荣获1984年布鲁塞尔国际奇幻电影节最佳奇幻电影奖。
放送禁止我的三位妻子
影片以一部“本应播出却被紧急叫停的纪录片”为线索，记录了一名男子与三位妻子共同生活的影像。网页设计师萩原浩司、作为家庭经济支柱的公司经营者中濑由子、前模特乾真理奈，以及护士内野枫——四名相关人士被召集到一起，观看了一段丈夫被杀害的录像。然而，随着影像逐渐展开，三位妻子却先后承认： 凶手是自己。爱、依赖、嫉妒与谎言交织在影像背后，纪录片的真实目的也随之变得模糊。这部被“禁止播出”的影像，究竟隐藏着怎样的真相？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
风来之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亚,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene自父亲去世以来，19岁的阿丽莎成了她患有抑郁症的母亲和年幼妹妹的照顾者。她只想逃离自己的责任以及身边的痛苦。她最好的朋友梅赫迪（23岁）性格内向，患有白癜风。尽管他有文凭，却仍然失业，这让他觉得自己对不起家人。两人都用幽默和想象力来逃避艰苦的生活。梅赫迪讲述并绘制超现实主义的故事，而阿丽莎则尽可能地重新塑造自己的现实。当他们得知全国范围内举办的一场绘画比赛可能会改变他们的生活时，他们偷了一辆车，开始了一场疯狂的公路旅行。他们的友谊经受了考验，他们发现了突尼斯最好的一面和最坏的一面。他们的希望破灭了，但他们的旅程改变了他们。三个月后，梅赫迪非法移民离开了，因为阿丽莎无法抛下她的家人。