母女的秘密授课

肖菲勒

近战

　　身陷囹圄的特种兵麦克（杜夫·龙格尔 Dolph Lundgren 饰）终于迎来了被保释的那一天，然而，令麦克没有想到的是，保释他的不是别人，居然是美国大使馆的官员克莱夫（迈克尔·帕尔 Michael Paré 饰）。原来，有一项充满了危险和变数的任务摆在眼前，而身经百战经验丰富的麦克则是这项任务最合适的执行者。　　根据提示，麦克需要去营救一位名叫安娜（吉娜·玛丽 Gina Marie 饰）的女子，安娜遭到了武装绑架，有可能被敌方洗了脑。而当麦克找到安娜时，安娜却告诉麦克她被绑架一说是子虚乌有，而麦克要将她带走的行为才是真正的绑架。安娜和克莱夫之间，一定有一个人在说谎，没过多久，陷入了困惑之中麦克就发现，他和安娜已经成为了众矢之的。

肥龙过江

　　香港警察朱福龙（甄子丹 饰）因一次工作失误惨被降级，万般无奈之际又遭未婚妻可儿（周励淇 饰）悔婚，事业爱情的双重打击令他一蹶不振，暴饮暴食六个月后体重猛增到220磅！上司黄警官不忍其继续堕落，委派朱福龙前往日本押送一名犯人，并承诺只要完成任务就可以为他恢复职位。可惜来到日本，倒霉的事件便接连在他身上发生，不仅财物尽失，连犯人也在押送途中逃脱了。幸好得到前香港警察潇洒哥（王晶 饰）的帮助才得以暂时解困，为了完成任务找回犯人，朱福龙与潇洒哥共同行动，不料在查找真相的过程中发现了日本黑帮的惊天阴谋......

超级马力欧银河大电影

 重返奇妙世界，探索浩瀚宇宙，罗莎塔公主、酷霸Jr.、耀西等更多惊喜角色登场，开拓更宏大酷炫的版图，呈现更精彩纷呈的冒险。

吞噬星空剧场版决战原始星

 罗峰在原始星历练期间，面对异族的觊觎和围剿，丝毫不慌乱，利用自己的智慧和实力反杀对方，维护了人族尊严。“我有一刀，可斩宇宙！”那柄有着震撼人心的美丽战刀，伴随着罗峰一路斩杀！妖族、机械族与虫族再次出现，组成三族联盟，三族首领联合6000名宇宙尊者围剿罗峰，罗峰施展“我为宇宙”的强大威力，将其一举歼灭。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.