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不过是上班
吴俊霆,李孝谦,安娜,周德华,合文俊,小爱,帕赛,孙天宇,李逗逗,李川,丁冠森,王艺禅,陈思斯血观音
惠英红,吴可熙,文淇,柯佳嬿,陈莎莉,丁强,刘尚谦,林志儒,王月,温贞菱,王伟六,陈珮骐,尹昭德,大久保麻梨子,巫书维,颜毓麟,刘越逖,傅子纯,陈武康,施名帅,秀兰玛雅,应朗丰,李铨他年她日
许光汉,袁澧林,陈泽耀,韩佩瑶,董玮,陈辉虹,骆振伟,许恩怡,谢咏欣举起手来2：追击阿多丸号
潘长江,郭达,刘小微监控录像
Akaranitimetharat后座
哈利·米尔林,亚历山大·斯卡斯加德,道格拉斯·霍奇,莱斯利·夏普,安东尼·威尔士,杰克·谢尔斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,乔治娅·赫利尔,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保罗·塔利斯,Kevin Bazeley,Christina Carty,扎米尔·梅斯蒂,Jacob Carter人气佳作
苍雪麒麟
黄日莹,铭亮,琪格,郭宏庆镖人：风起大漠
吴京,谢霆锋,于适,陈丽君,孙艺洲,此沙,李云霄,梁家辉,张晋,惠英红,张译,李连杰,刘耀文,熊瑾怡,莒谦朗,白那日苏,梁壁荧,文俊辉,董思成,林秋楠,景瓷,张艺泷,李嘉辉,寇占文,代乐乐,释彦能,徐向东,淳于珊珊,孟鹤堂,于荣光,陈少熙,赵箭,袁和平我们埋葬死者
黛西·雷德利,布伦顿·思韦茨,马克·科尔斯·史密斯,马特·惠伦,Chloe Hurst,金姆·杰克逊,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大卫·佐纳,Matthew Parkin,Jimmy Duncan,Bruce Denny腐坏之巫
阿丽亚娜·德博斯,马尔顿·索克斯,芭比·费雷拉,阿玛拉·卡兰,阿里安·穆阿耶德,桑娅·奥尔森兰,杰瑞米·惠勒,朵卡·格莱拉斯,米克尔·布拉特·西尔塞特,加布里埃尔·德雷克,伊莫拉·加斯帕尔,加博尔·纳吉帕尔,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德鲁·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan导演精选
北部丛林
Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
旁观者2025
离家十六年的陈家辉（陈坤 饰）在得知父亲陈为民（王劲松 饰）病危后，重返故乡。但父亲未留下只言片语便匆匆离世。葬礼之后，陈家辉与哥哥陈家兴（王砚辉 饰）、姐姐陈家媛（刘敏涛 饰）在整理父亲遗物时，逐渐察觉父亲身上似乎隐藏着许多不为人知的秘密。带着困惑与心结，陈家辉开始探寻父亲生前的生活轨迹，试图拼凑出父亲真实的模样。在这个过程中，一段埋藏了16年的家庭秘密逐渐被揭开，而这个秘密的核心，正是家辉与父亲之间一生都未能解开的那个结。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster