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月兔迷情lara坠入凡间耐不住寂寞求收留_
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乔尔·埃哲顿,埃利奥特·赫弗南,埃弗雷特·布伦克,凯奥·马丁,肯尼·罗斯牧森,卢卡斯·阿德勒,科尔顿·李,Kolton Lee克罗克特先生
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爷孙大学路
Madea的哥哥Joe陪同他的孙子B.J.进行了一次大学公路旅行。
怒海浩劫
影片讲述了能源科考队冒险者号深潜器，在深海海沟执行探测任务时，突遭神秘暗流冲击，坠入了海底未知禁区内，舱内四名队员失去联系，生死未卜。中国救援队青龙号临危受命，奔赴深海紧急救援，一场奇幻震撼的惊险之旅就此展开......
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster