女员工们:2对2交换

评分:8.6 播放:94万 更新:2026-05-26
主演: 未知/

熙贞和一名男员工在整理仓库时被锁在门艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。男员工偷拍了熙贞的月经。男员工利用这段视频想要得到熙静的身体,并要求与其他员工进行 2 对 2 交换。....

影片推荐

星途恶果

基努·里维斯,乔纳·希尔,卡梅隆·迪亚兹,马特·波莫,大卫·斯佩德,艾薇·沃尔克,凯雅·基伯,拉弗恩·考克斯,肖拉·阿德乌斯,苏珊·卢琪,卡里·克里斯托弗,冈冢敦子,Carlos Carrasco,韦尔克·怀特,尼古拉·尼克拉斐,埃文·沙夫兰,克里斯·里德,Paul Bartholomew,T.C. Amos IV,小罗伊·伍德

死产儿

克里斯蒂·柏克,杰西·莫斯,丽贝卡·奥尔森,迈克尔·艾恩塞德 Michael Ironside,詹·格里芬,希拉·麦卡锡 Sheila McCarthy,肖恩·罗格森,迪伦·普莱费尔,Grace Christensen

没问题2021

梁龙,徐洁儿,范帅琦,贾天明,王宏伟,迟志强,邹德江,丁鹤,黄靖芯,谢昀杉,大兵

谁在战斗中闪耀

梅拉尼·罗兰,皮埃尔-伊夫·卡迪纳尔,安吉丽娜·沃雷斯,Sarah Pachoud,费利克斯·基赛勒,Juliette Gasquet,托马斯·乔里亚,Ilinka Lony,Lucas Cenciai,Najim Zeghoudi,马克桑斯·蒂阿尔,克莱尔·陈,安娜·卢瓦雷,比拉内·巴,斯特凡纳·瓦鲁彭,Serpentine Teyssier,Benjamin Lepennetier,Ludivine Colle,Pascal Decolland,Arnaud Straebler

大卫2025

菲尔·威肯 ,阿西姆·乔杜里,米克·温格特,阿什利·博彻,马克·惠顿,布伦特·穆卡伊,Brandon Engman,Kamran Nikhad,Reina Ozbay,Will de Renzy-Martin,亚当·迈克尔·戈尔德,亚当·梅尔,Lauren Daigle,Mark Jacobson,凯蒂·伯恩斯坦,Brian Stivale,Sloan Muldown,马克·西尔弗曼,Mike Ciporkin,Dorah Fine,沙哈尔·塔沃赫

边境战争2

瓦伦·达万,桑尼·戴尔,迪尔吉特·多桑,阿汗·谢迪,Hariom Kalra,莫娜·辛格,索纳姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕兰维尔·切玛,阿努拉格·阿罗拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan

同类精选

影视排行

养鬼吃人7

卡瑞·伍尔 , 保罗·瑞斯 , Simon Kunz

《伦敦地下城市》一个女记者被派遣到罗马尼亚首都布加勒斯特调查一个地下自杀邪教“死魂灵”。她很快就陷入了他们的黑暗世界,无法找到回头路,从而被迫加入他们,迎接一项极为恐怖的事情... ...

一掌熊猫

 未来AI纪元,人类启动“PX计划”试图创造有情感的AI。试验体PX-1(熊猫侠)因情绪核心过载被判定为“失败情绪体”,遭清除并丢弃至废墟深渊。失忆的熊猫侠偶遇小女孩豆豆,在陪伴中觉醒自我意识、找回人性。为守护豆豆与废墟家园,他以红色机械巨掌对抗反派AI“EVA”的控制与追杀,最终用情感力量打破算法桎梏,完成自我救赎。

偷欢忌日

Winter Bassett,Jordan Laemmlen,Vincent Catalina

简和伴侣的森林之旅出了岔子,当一个陌生人出现并质疑他们关系的真实性时,她开始怀疑自己是否真正掌握了现实的全部真相。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.