剧情简介
当年的结拜五兄弟,其中一人被出卖并被杀死于是他阴魂不算,变成厉鬼前来报复其他几人
为你推荐
你和我的5分钟
沈炫书,玄宇锡,孔敏晶,李东辉2001年从庆尚北道永川移居大邱寿城区的庆焕是一名日本文化爱好者。这样的庆焕得知坐在自己旁边的班长在民也听日语歌曲,两人变得亲近起来。因为在民经常帮助难以适应寿城区环境的庆焕,所以两人总是形影不离。与此同时,庆焕听到了在民的秘密,庆焕也决定向在民说出自己的秘密。然而,在庆焕说出这个秘密后,在民开始对庆焕变得冷淡,他的学校朋友也开始排斥他。尽管如此,庆焕仍然想和在民做朋友。
桑格豪森的渴望
克拉拉·施温宁,马瑞尔·凯沙瓦茨,亨丽埃特·肯夫里乌斯,若阿内斯·贝尔茨,安德里亚斯·比特尔,安德烈亚斯·德勒,梅拉·芬克,帕特里克·弗兰扎克,苏珊·弗洛莫,杰里米·加利亚纳,安东·戈诺波尔斯基,莱昂尼·哈莫,迈克尔·哈斯通,玛琳·豪瑟,弗兰基斯卡·海纳尔,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·纳普,布索里·列,李景泽一位心碎的东德女服务员和一位手臂受伤的伊朗YouTuber在山中的鬼魂搜寻之旅中寻找孤独的慰藉。这是一场关于不太可能的友谊以及对另一种生活的渴望的浪漫冒险。
剧场灵
岛崎遥香,足立梨花,高田里穗,町田启太,中村育二,小市慢太郎水树沙罗(岛崎遥香 饰)是一个在演艺圈打拼多年的青年女演员,虽然她努力磨练演技,勤奋专注,却始终未得到世人的关注。在此期间她受到来自事务所的压力,二者相权之际最终选择参加剧作家锦野豪太(小市慢太郎 饰)的新作《鲜血的召唤》的试镜。《鲜血的召唤》根据史上真实人物嗜血如命的伊丽莎白的故事改编,为了美这个女人不惜残害鲜活的生命。沙罗与同事务所小有名气的女星筱原葵(高田里穗 饰)一同试镜,两人最终分别获得了农家女孩安娜以及主角伊丽莎白的角色。 在排演过程中,放置在舞台中央的人偶似乎有了自己的意识,让本就为了荣光而近乎癫狂的女子们更走向了崩溃的边缘……
弗兰茨
伊丹·魏斯,彼得·库尔特,耶诺夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亚伦·弗里斯,卡罗尔·舒勒,Gesa Shermuly,扬·布达尔,约瑟夫·特洛伊,卡雷尔·多布雷,Daniel Dongres,René Hofschneider,米哈尔·伊斯特尼克,弗拉迪米尔·雅沃尔斯基,Václav Jirácek,Michal Kern,Stepán Klán阿格涅丝卡·霍兰凭借这部迄今为止最具野心的作品达成了导演生涯的巅峰,她呈现了一部关于20世纪捷克标志性作家弗朗茨·卡夫卡的传记片。影片以万花筒般的拼贴手法构建而成,追随卡夫卡留下的足迹——从19世纪的布拉格出发,直至他在维也纳辞世,时间跨度涵盖第一次世界大战及之后。《弗朗茨》一片将为观众提供一个独特的视角,一窥这位文学巨匠背后的人生轨迹。
曼谷保镖2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保镖2》的故事: 影片故事讲述拔泰王锦鲁饰演的东南亚某小国特工翁坤,为了调查一伙恐怖份子,秘密潜入泰国曼谷执行任务,并化装成为流行歌星,混入唱片公司追查。他老婆并不知道他的真实身份,因为翁坤是个十足的“妻管严”,但要命的是,他在泰国无可救药爱上了一个漂亮美眉……与此同时,恐怖份子也要发动大规模袭击了,翁坤如何能制止这场破坏? ⊙《曼谷保镖2》的看点: 继2005年大卖座的第一集之后,《曼谷保镖》于今年拍出了续集,有“泰国周星驰”之称泰国喜剧明星拔泰王锦鲁继续自编自导自演,继续请来《拳霸》东尼·嘉参与演出。影片向周星驰、成龙电影偷了师,并且自己恶搞了《拳霸》《冬荫功》等片,拔泰王锦鲁(《拳霸》另一主演)演出非常出彩过瘾。Tony Jaa则之是客串身份,在片中有一场打斗,另外自己还拿《冬荫功》开涮,十分的“搞”。
谎岛美人鱼
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋知名電影評論網紅古馬木一直在網上做評論為大家排雷,這次他化身AI人工智能潛入電影世界,評論最新爛片《人魚愛上我》主創背後的真實故事⋯ 潦倒編劇樂與母相依為命,偶爾在網上認識十分欣賞樂作品的神秘少女,樂以為覓得「真愛」並為之直奔海島,既為愛情亦為拍檔強介紹的工作。然而「真愛」不出現,編劇工作同樣受挫,投資方堅持改編翻拍了無數次的童話故事美人魚,本應失落的樂卻莫名其妙與民宿老闆娘文漸行漸近。原來樂網戀的「真愛」就是懷春熟女文!文受前夫情傷,年歲漸長的她越發不自信才在網絡上尋求心靈慰藉! 文自從交上了樂這個網友之後,缺乏自信的她被樂的主動跟甜言蜜語治癒了不少。而樂在文的帶領之下也找到了寫作的靈感,樂忽發其想,邀請文一同合編美人魚的故事,正當劇本寫完之時,樂的母親突然病倒,樂心痛至極同時亦發現文就是當初自己網戀的少女,樂接受不了,拋下狠話,文亦傷心離去,兩人從此再無聯繫。 樂在醫院陪母親走到生命的盡頭,在見證母親跟多年不見的父親一笑泯恩仇,樂明白世界的情感縱使起源於謊言,但結局也能如童話般美好,樂與文這段疑幻似真的情感,究竟過無數電影的古馬木能否猜到這故事的結局?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.