欲焰焚身
L体追缉令 Body Language 汤姆 贝伦杰主演的推理惊悚片，剧情开展迂回迂回，应用男人对性的弱点停止一连串的色诱规划，导演乔治．凯西对氛围的运营尚算胜利。男主角盖文是一名检察官，正在办一宗黑手党老大被控的案子。他偶尔开车碰到美丽少妇多娜，进一步交往后发现她长期受丈夫优待，并被迫在夜总会扮演托衣舞维生。盖文情不自禁坠入了多娜的感情圈套中，最后为了得到她的身体更不惜跟多娜协作谋杀她丈夫，原来整个规划竟与黑手党的案子有关，令盖文简直无法自拔。海蒂．史尚兹饰演多娜，分发出相当火辣的性感吸收力。南希．特拉维斯则饰演不断关心盖文的女律师，其演出冷静可信。
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剧情简介
L体追缉令 Body Language 汤姆 贝伦杰主演的推理惊悚片，剧情开展迂回迂回，应用男人对性的弱点停止一连串的色诱规划，导演乔治．凯西对氛围的运营尚算胜利。男主角盖文是一名检察官，正在办一宗黑手党老大被控的案子。他偶尔开车碰到美丽少妇多娜，进一步交往后发现她长期受丈夫优待，并被迫在夜总会扮演托衣舞维生。盖文情不自禁坠入了多娜的感情圈套中，最后为了得到她的身体更不惜跟多娜协作谋杀她丈夫，原来整个规划竟与黑手党的案子有关，令盖文简直无法自拔。海蒂．史尚兹饰演多娜，分发出相当火辣的性感吸收力。南希．特拉维斯则饰演不断关心盖文的女律师，其演出冷静可信。
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
格斗家
小说作家阿贞与拳王父亲从小存在隔阂，父亲离世后，她通过格斗竞技探寻真相，逐渐理解父亲并完成自我蜕变。影片围绕父爱与亲情展开，男主角虽格斗天资一般，仍不懈追寻梦想。剧情融合文与武转换、善与恶抉择，最终阿贞为父正名，成为真正的格斗家 。