恐怖女子高校女暴力教室
位于关西的圣和女子学院是一所旨在培养贤妻良母的私立女子高中，然而校方利欲熏心，无心教育，致使这里充斥着各种不良行为。其中，女番长中田迪子（杉本美樹 饰）率领的3年4班岚线会和理事长（金子信雄 饰）私生女福本澄子（衣麻遼子 饰）率领的3年2班对抗尤为激烈。教师们唯唯诺诺，唯恐惹祸上身。青年教师吉冈敬一（成瀬正孝 饰）一腔热血，希望革除这股不良之风，但他粗暴的做法却遭到更大的报复。背负仇恨的尾野崎由纪（池玲子 饰）转学于此，时刻等待复仇的良机，而她也很快卷入各派斗争的漩涡之中…… 本片为“恐怖女子高校”系列第一部艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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正义救赎
高骏,张敏银河护卫队：圣诞特别篇
克里斯·帕拉特,庞·克莱门捷夫,戴夫·巴蒂斯塔,凯文·贝肯,迈克尔·鲁克,布莱德利·库珀,范·迪塞尔,凯伦·吉兰,肖恩·古恩,玛丽亚·巴卡洛娃,Old 97's,卢克·克莱因,凯拉·塞吉维克,大卫·莫斯科维茨,史蒂芬·布莱克哈特鬼婴庙
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad魂游1871
Sam Groom,Tom Hallick,弗朗辛·约克,布思·科尔曼,理查德·贝斯哈特,Trish Stewart,沃尔特·布鲁克,帕特里克·卡利顿,多尔特·克拉克,乔恩·锡达,Gil Lamb,Ed Ness,Kathleen Bracken,理查德·韦伯,Victoria Paige Meyerink拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱诗人2025
乌贝马尔·里奥斯,蕾韦卡·安德拉德,吉列尔莫·卡多纳,阿利森·科雷亚,翁贝托·雷斯特雷波,玛格丽塔·索托同类推荐
中华战士
杨紫琼,吴耀汉,尔冬升,卢冠廷,刘芊蒂,松井哲也,陈敬,张耀星,赵志凌,冯克安,黄正利,谷峰,刘晃世,罗莽,谭伟民影片以悲壮的笔触，描述了30年代时期，不丹国卡尔城金将军与日军勾结，在城里生产毒气，中国派遣特务“天字第一号”和现代镖局负责接出城主尤达。女镖师阿琼在爱慕尤达的金将军女儿芊芊帮助下，意欲和尤达一起逃走，但“天字第一号”力主要破坏毒气计划，结果被抓。金将军为救爱女，反过来帮助他们，与日军开始一场大战。
钢琴之子
米奇·艾斯巴尔贝,安娜·卡斯蒂罗,娜乌西卡·邦宁Wolfgang, a ten-year-old boy with an IQ of 152 and autism spectrum disorder, is forced to live with his father Carles, whom he has never seen, after the sudden death of his mother.
解放3：主攻方向
米哈伊尔·诺日金,尼古拉·奥拉宁,米哈伊尔·乌里扬诺夫,拉里莎·戈卢布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特尔热利奇克,Yevgeni Burenkov,阿纳托利·罗马申,彼得·谢尔巴科夫,伊万·彼列维捷夫,弗拉德连·达维多夫,谢尔盖·哈钦科,德米特里·弗兰科,Tõnu Aav,Fred Alexander,Ingrid Andrina,维克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,为纪念苏联卫国战争30周年，前苏联莫斯科电影制片厂于1970—1972年，拍摄了一部堪称前苏联电影史上耗资最巨、规模最大、场面最为壮观的战争题材影片———《解放》。影片从1943年苏联红军反攻（库尔斯克战役）开始，到强渡涅伯河，解放基辅，最后攻克柏林。分为五集，片长将近8个小时。导演尤里·奥泽洛夫为强调“纪实性”、“史诗性”，在影片中穿插了大量的真实历史文献镜头。影片还出现了不少历史人物，如斯大林、朱可夫、罗斯福、丘吉尔、希特勒、墨索里尼等。此外，影片还蕴涵丰富感人的故事情节，从苏、德两军统帅到普通士兵，从苏军反攻到德军覆没，成功地表现了一种攻无不克、战无不胜的革命乐观主义精神。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
无法在你的脸上哭泣
芳根京子,高桥海人,西川爱莉,武市尚士,中泽元纪,前原滉,林裕太,大塚宁宁,赤堀雅秋,片冈礼子,山中崇本片改编自同名小说，故事始于高一夏天，坂平陆（高桥海人 饰）与水村真奈美（芳根京子 饰）在泳池事故后灵魂互换。两人坚信能恢复原状，苦寻方法，然而15年过去，依旧未能换回。升学、初恋、就业、结婚、生子，他们只能以彼此的身体走完人生重大节点。直到30岁那年夏天，真奈美突然说：“我或许知道怎么换回来了。”命运的齿轮，开始再次转动——