丑闻夫人：最后的丑闻
人妻珠子因性欲强烈，丈夫无法满足她，就在家开了个学生公寓，与学生们长期苟合，后来她的侄女来家工作，嫉妒珠子，与她做对，连她的房产证都卖给了房屋中介，最后学生们设计夺回了房产证，拯救了珠子一家。
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驱逐
杰西卡·布朗·芬德利,西恩·哈里斯,约翰·林奇,杰森·索普,亚当·赫吉尔,约翰·赫夫南,安雅·麦肯纳-布鲁斯,詹姆斯·斯旺顿,柯基·法尔考,西姆斯·奥尼尔,Danny Shayler,Amy Trigg,Nigel Travis,Jean St. Clair,Matthew Clarke唱歌的六个女人
竹野内丰,山田孝之,水川麻美,アオイヤマダ,服部树咲,萩原实里,桃果,武田玲奈,津田宽治,白川和子,竹中直人于特岛7月22日
安德烈·伯恩森,亚历山德·霍尔门,布瑞德·福里斯达,艾丽·瑞亚侬·穆勒·奥斯本,苏陆士·萨达特,马格努斯·莫恩,张特兰红杉林杀人魔
马可·伍德,Lisa Cameron,Lisa Livingstone分裂: 黑色子弹
山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凯伦·霍尔尼斯,多隆·贝尔,Porsha Pointner,莎伦·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凯利复仇1978
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不明影像：绝对点击禁止
朴宝英,周元,江星在网络监查科兼职的大学生俊赫，为了和生气的女友世熙（朴宝英 饰）重归于好，转而求助于女友的妹妹——高中女孩静美。静美是一个沉迷以来网络的时尚女孩，她答应帮助俊赫，条件是俊赫能帮她找一些网上封禁的稀奇古怪的视频。万般无奈，俊赫只得帮忙寻找，谁知却意外下载到一段诡异的视频。这段视频每次的文件名每次都会改变，每次打开后也会呈现不同的内容，甚至在看完之前都无法关闭。倒霉的静美似乎恰恰碰上了那个传说中的诅咒视频，在此之后，她的周围接连发生诡异事件。 网络时代带来便利，也衍生了假象与罪恶，通往地狱的大门慢慢开启……
遗忘尼克
英格丽德·波尔索·贝达尔,露西·波尔,哈鲁克·比尔根纳尔,卡蒂娅·里曼,科斯马·肖,罗伯特·西利格故事发生在车水马龙的繁华大都市纽约，嘉德（英格丽德·波尔索·贝达尔 Ingrid Bolsø Berdal 饰）是一名职业模特，拥有性感的身材和天使般的容貌，活跃在时尚秀场和杂志的封面之上。玛利亚（卡嘉·瑞曼 Katja Riemann 饰）性格温柔又贤惠，独自抚养着孩子，是一位坚强而又乐观的单身母亲。这看似八竿子打不到一起的两人，她们的生命却因为一个名叫尼克（哈鲁克·比尔吉纳 Haluk Bilginer 饰）的男人而被牢牢的拴在了一起，她们都曾瞎了眼和尼克有过一段失败的婚姻，而根据婚前协议，两人都被尼克安置到了位于曼哈顿的豪华顶层公寓之中。 两个性格迥异的女人之间，战争一触即发。
暗魔怨
彼得·费辛利,索菲娅·迈尔斯,娜塔莉亚·罗蒙丝,卡罗利娜·格拉,胡安·巴勃罗·甘博亚大卫（彼得·费辛利 Peter Facinelli 饰）的妻子英年早逝，之后他遇见了名为劳伦（索菲亚·迈尔斯 Sophia Myles 饰）的女子，两人坠入了情网，劳伦让大卫重新找到了人生的希望和目标。大卫和前妻生养了一个女儿取名吉尔（娜塔莉亚·罗蒙丝 Nathalia Ramos 饰），正直叛逆期的她独自居住在哥伦比亚。 某日，大卫和劳伦踏上前往哥伦比亚的旅途探望女儿，可在途中竟然遭遇了车祸。两人在暴雨之中找到了一间破旧的旅馆栖身，却在无意之中听见旅馆的地下室里传来年轻女孩的呼救之声。正义和道德驱使大卫决定解救这名可怜的女孩，却不知道他的这一行为将在场的所有人推入了万劫不复的深渊之中。
智能女佣
尼克·卡鲁乔,Hailey Mauk,朱丽叶·塞茜尔在妻子的意识被转移到机器人中后，一个鳏夫发现自己陷入了一个致命的三角恋中，嫉妒的人工智能竭尽全力阻止他与一个新女人继续前进。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.