少女情妇

★ 6.9 播放:87万 更新:2026-05-24

青春懵懂的少女仁美(豪田路世留 饰)是某黑帮分子阿明的情人,阿明被捕后,仁美以丢钱包为名每日站在闹市街头巷来往路人索要钱财,只为早日凑够保释金救出恋人。期间,她甚至还要出卖自己的肉体。某日,仁美偶遇一个善良、赤贫的青年(宮田諭 饰),青年在面馆打工,整日为生计奔波。仁美喜欢他的坦诚,开始尝试和青年约会。青年虽然知晓仁美的身份,但渐渐开始迷上这个女孩。两人开始一段并不平稳的恋情。 不久,阿明被保释出狱,而拿出保释金的正是黑帮组长的女儿,阿明顺理成章和对方搞在一起。得悉这一切的仁美分外伤心,而她和青年的关系也到了该做出决定的一刻 

在线播放

剧情简介

青春懵懂的少女仁美(豪田路世留 饰)是某黑帮分子阿明的情人,阿明被捕后,仁美以丢钱包为名每日站在闹市街头巷来往路人索要钱财,只为早日凑够保释金救出恋人。期间,她甚至还要出卖自己的肉体。某日,仁美偶遇一个善良、赤贫的青年(宮田諭 饰),青年在面馆打工,整日为生计奔波。仁美喜欢他的坦诚,开始尝试和青年约会。青年虽然知晓仁美的身份,但渐渐开始迷上这个女孩。两人开始一段并不平稳的恋情。 不久,阿明被保释出狱,而拿出保释金的正是黑帮组长的女儿,阿明顺理成章和对方搞在一起。得悉这一切的仁美分外伤心,而她和青年的关系也到了该做出决定的一刻 

导演精选

巴黎厨房

  时尚的餐厅大都市“莫奈”红红火火。正是在这里,维克和马克西姆要庆祝期待已久的婚礼。但计划有变,当餐厅是规定会谈俄罗斯和法国的总统!餐厅队惨败,被迫进入“流亡” - 在巴黎举行。有厨师用马克斯面临危险的竞争对手:厨师 - 与近亲,和马克西姆 - 与一个英俊的尼古拉斯,谁转过头比维克起泡酒香槟更好!而这还不是他的“全城热恋”中的所有挑战,你应该试着挽回面子,喂总统和克服障碍万元点菜法国文化……

夏日躁动

在巴黎第19区的一个工人街区,19岁的莎伊和杰内巴是从小一起长大的好姐妹。一个被令人窒息的家庭所困扰,另一个则深陷孤独的泥沼。某个夏天,她们远离成长的高楼阴影,成为夏令营的辅导员,负责照看一群6到10岁的孩子。站在成年的门槛上,她们必须做出选择,在成长中重新定义彼此的友谊。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster