十日坏人

3.6 播放:01万 更新:2026-05-24

深受重创、心力憔悴、痛失亲人,这名私家侦探必须顶住压力,破解错综复杂的谎言,揭开一桩别墅谋杀案背后的真相。

即刻观影

剧情赏析

深受重创、心力憔悴、痛失亲人,这名私家侦探必须顶住压力,破解错综复杂的谎言,揭开一桩别墅谋杀案背后的真相。

编辑推荐

友情的游戏

贝拉·索恩

  A group of teenagers in a small town discover a strange object that tests the strength of their friendship.

我独自蜜月

凯文·詹姆斯,妮可·吉玛多,金·寇兹,艾莉森·汉尼根,乔纳森·鲁米,茱莉·塞尔达,朱莉·安·埃默里,安德烈·波切利,詹卡洛·巴尔托洛梅伊,克里斯蒂娜·阿尔比,阿丽娜·切尔尼,亚历山德罗·卡博纳拉,卡特琳娜·席尔瓦,弗吉尼亚·波切利,朱莉娅·梅西娜,埃薇莉娜·梅格纳吉,斯特凡娜·德拉·克鲁兹,萨洛梅·钱德勒,谢伊·詹姆斯,瓦伦蒂娜·福伊斯

在罗马遭遇婚礼灾难后心碎而归,一位滞留的新郎发现,一位执着的当地人和几位爱管闲事的旅人,竟让他的蜜月之旅焕然一新——证明了心碎有时只是新的开始。

当家好女婿

Adrian Vazquez,Jero Medina,Verónica Bravo

这部电影告诉了何塞·桑切斯的故事,他留着令人难忘的小胡子,有着银色的舌头,雄心勃勃。在经历了一段艰难的商业生涯后,Sánchez变成了令人恐惧的政治活动家“El Serpiente”。然而,为了保持领先地位,他需要完成最后一笔交易,这是最危险的一笔交易——这一次,他的口才可能还不够。

狂野时代

易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠

  影片讲述“迷魂者”(易烊千玺 饰)通过体验视觉、听觉、味觉、嗅觉、触觉五感,跨越一个世纪的故事。而“大她者”(舒淇 饰)则好似是打开“迷魂者”故事的钥匙......

养鬼吃人2

Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley

  第一集中,少女克莉斯蒂(Ashley Laurence 饰)的家庭遭受魔鬼赛诺贝斯的摧残,亲人相继死亡,她本人也被送入精神病院治疗。除了医生助手凯尔(William Hope 饰)外,没人相信克莉斯蒂的离奇故事。当疯狂的医生菲利普•切诺德(Kenneth Cranham 饰)从助手口中得知少女的经历后,他决定将恶魔重新带回人间。业已死亡的继母朱莉(Clare Higgins 饰),在这个变态狂人的喂养下再次复活……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.