高校性爱 S1
High (School) On Sex S1 – Complet艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情提要
High (School) On Sex S1 – Complet艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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西区故事
安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯体制2026
索娜什·辛哈,Jyotika,阿素托史·哥瓦力克哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse恐惧之灵
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger巴黎厨房
迪米特里·纳佐罗夫,叶莲娜·波德卡明斯卡娅,德米特里·纳吉耶夫,马克·博加泰尔夫,文森特·佩雷斯四重唱
玛吉·史密斯,汤姆·康特奈,比利·康诺利,保利娜·科林斯,迈克尔·刚本,谢里丹·史密斯,安德鲁·萨克斯,格温妮丝·琼斯,特雷弗·皮科克,大卫·莱尔,迈克尔·伯恩,罗尼·福克斯,帕特里夏·洛夫兰德,伊琳·珀威尔,卢克·纽伯里哆啦A梦:新·大雄的海底鬼岩城
水田山葵,大原惠美,嘉数由美,木村昴,关智一,千叶翔也,广桥凉,平爱梨,平子祐希,酒井健太同系列推荐
芝加哥大火记
泰隆·鲍华,艾丽丝·费伊,唐·阿米契,艾丽丝·布雷迪康普茶
Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne熊出没·年年有熊
张秉君,张伟,谭笑天才游戏
彭昱畅,丁禹兮,李蔓瑄,邓恩熙,侯雯元寻爱之旅
麦克·辛,马克·阿蒂,吉姆·卡特,马克·斯特朗怒兽出笼
丹尼尔·麦克弗森,卢克·海姆斯沃斯,罗素·克劳,布伦·福斯特,莫让·阿里亚,马特·纳夫莱,凯莉·盖尔,内森·菲利普斯,Amy Shark,埃莉扎·德苏扎,CJ·布隆菲尔德,乔治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,罗基·弗里杰里奥,Alex Ballesteros幕后花絮
未知土地
Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.