裸身诺曼底
为了抢救生计，他们必须「全裸入镜」 随著肉类价格不断下跌，法国的畜牧业面临前所未有的危机。诺曼第的一个小村庄也面临相同的问题，无奈他们的抗议和示威都无法获得政府的重视。某天一位来自美国的裸体摄影师恰好经过这个小镇，市长因此想出一个绝妙的点子让村民集体拍裸照来获得关注！为了实行这个计画，他必须挨家挨户地说服村民脱掉衣服
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孙槐志1和2
琪兰·席普卡,提莫西·查拉梅,伊莉莎白·里瑟,格兰特·鲍尔,Dale Girard,Wendy Ahlstrom,Kyle Bell,Zachary Dylan Brown,Chantey Colet,Monica Crumpler,Rayven Symone Ferrell,Saia Grayson,Albert Guzman,Julie Haught,Robert Haulbrook大明嫔妃之攻心
宋洋,何杜娟,关慧卿,陈一诺炫舞我人生
董维恩,陈乐添,杜梵,李纯洱未来之心
乔新峰,曹艳,张恩硕,张德晖,宫苏纹留存的爱
莎加·加达斯多蒂尔,斯瓦利尔·古德纳松,伊达·梅金·赫林斯多蒂尔,英格瓦·埃盖特·西古德松,安德斯·莫索林,卡特拉·M·索尔盖尔斯多蒂尔,哈德尔多尔·拉克斯内斯·哈德尔多尔松,克里斯廷·古德蒙德松,格里穆·赫利尼森,索吉尔斯·赫林松同类精选
从此以后
康妮·布里登,乔瓦尼·索罗菲瓦,托马索·巴西利,巴贝蒂达·萨乔,亚历山德罗·布雷萨内罗,Syama Rayner,安德烈亚·布鲁斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco跨国银行
克里夫·欧文,娜奥米·沃茨,阿明·缪勒-斯塔尔,乌尔里奇·汤姆森,布莱恩·F·奥博恩富贵再逼人
沈殿霞,董骠旁观者2025
陈坤,王砚辉,刘敏涛,容中尔甲,安泽豪,陈依莎,单禹豪,王劲松,陆玲,王雯那,姜颖函恶魔的破坏 前篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,诹访部顺一,津田健次郎继女2024
安妮·伊隆泽,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs影视排行
雪中的女孩
加拉泰亚·贝露琪,马蒂厄·卢奇,塞缪尔·基尔舍,Oscar Pons,谢里夫·安杜拉,Amid Bouselahane,Marisa Ronchail,Annie Souche,André Borel,Léna Camillieri Dorléans,Solal Griveau Martin,Lula Guaydan,Greta Saggiorato,Tom Pezier,Amélie Griveau,Domitille Bruneton,Marie Trouvé,Léa Caro,Ludovico Le故事将我们带回1899年的上阿尔卑斯地区。"苏丹"是一个被雪峰环抱的小村落。某个暴风雨之夜，深色眼眸的年轻教师艾梅抵达此地，她将在此度过整个冬季，教导寥寥数名学生。然而就在她到来后不久，一场雪崩夺走了第一位当地人的性命……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
邀请函
娜塔莉·伊曼纽尔,托马斯·多赫蒂,斯蒂芬妮·科内柳森,阿拉娜·博登,西恩·帕特维,休·斯金纳,维拉格·巴拉尼,考特尼·泰勒,卡塔·萨博,伊丽莎白·康塞尔,斯科特·亚历山大·杨,杰瑞米·惠勒,卡罗尔·安·克劳馥,克里斯蒂娜·格蕾丝·萨尔科该片故事灵感来自于布莱姆·斯托克的经典小说《德古拉》，是一部当代恐怖惊悚片，讲述一个年轻女子因被追求而变得神魂颠倒，但她意识到，一个哥特式的阴谋正在发生。
凯多湖的消失
迪伦·奥布莱恩,伊莱扎·斯坎伦,黛安娜·霍佩尔,卡罗琳·福克,山姆·亨宁斯,埃里克·兰格,劳伦·艾波罗丝,Nina Leon,兰斯·E·尼克尔斯,大卫·马尔登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。