处女器官
本片可以称为《美女器官》的姐妹篇，是1986年小水一男自编自导、由日活公司发行的，被看作具有cult精神的另类桃色艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。影片立足于性爱活动，同时也糅杂了惊悚、幻想、血腥暴力等B级片趣味。片名中的“处女器官”并非单指处女的性器官、处女膜，直译的话实际上是内脏器官的意思。本片海报采用了让人想起丸尾末广画风的、金井清显的官能插画，并由木筑纱绘子饰演俨然献给恶魔祭祀品的处女，不过，影片有别于小沼胜的虐恋桃色片，亦非田中登现实主义的暴力粉红片类型，作为恐怖片，《处女器官》接近好莱坞B级片刺激嫌恶感官的血腥、残酷虐杀趣味。只不过披着很厚的一层桃色外衣。在剧中，由摄影师、女模特组成的三男三女的摄影小组去野外拍照，因大雾耽搁，在森林中迷路，误闯一处无人的别墅，便留宿在这一荒置的住宅。无聊的夜晚，双方都有性爱的冲动，一番云雨后危险出现了，他们遭到一个类似原始人的“怪物”杀人魔的袭击，男人们一个个被杀害，写真女郎们则先被强奸后被杀死！
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剧情简介
本片可以称为《美女器官》的姐妹篇，是1986年小水一男自编自导、由日活公司发行的，被看作具有cult精神的另类桃色艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。影片立足于性爱活动，同时也糅杂了惊悚、幻想、血腥暴力等B级片趣味。片名中的“处女器官”并非单指处女的性器官、处女膜，直译的话实际上是内脏器官的意思。本片海报采用了让人想起丸尾末广画风的、金井清显的官能插画，并由木筑纱绘子饰演俨然献给恶魔祭祀品的处女，不过，影片有别于小沼胜的虐恋桃色片，亦非田中登现实主义的暴力粉红片类型，作为恐怖片，《处女器官》接近好莱坞B级片刺激嫌恶感官的血腥、残酷虐杀趣味。只不过披着很厚的一层桃色外衣。在剧中，由摄影师、女模特组成的三男三女的摄影小组去野外拍照，因大雾耽搁，在森林中迷路，误闯一处无人的别墅，便留宿在这一荒置的住宅。无聊的夜晚，双方都有性爱的冲动，一番云雨后危险出现了，他们遭到一个类似原始人的“怪物”杀人魔的袭击，男人们一个个被杀害，写真女郎们则先被强奸后被杀死！
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
来点茶泡饭如何
标题中的「ぶぶ漬け（お茶漬け）どうどす」是一句众所周知的京都表达，京都人常用这句话以委婉的方式传达「差不多该告辞了」的意思。电影《ぶぶ漬けどうどす》以此为主题，展现了因京都特有的县民性而引发的各种闹剧，并展开了一段充满喜剧色彩的故事。影片以从东京嫁到京都老字号扇子店的自由撰稿人澁澤まどか为主人公，描绘了〈京都人〉与从东京而来的〈外地人〉之间的攻防与冲突。
步履不停
“人生路上步履不停，为何总是慢一拍”。位于偏远小镇的横山一家，生活平静祥和。父亲恭平（原田芳雄 饰）是业已退休的医生，却时时牵挂小镇诊所内的事务。长子纯平继承了父亲的事业，却在15年前为救落水儿童而溺水身亡。次子良多（阿部宽 饰）与父亲意见相左，执意前往异地当起了绘画修复师。多年的打拼换来的却是失业，困顿的良多与带着孩子的由香里（夏川结衣 饰）结婚，相互扶持，继续生活。又逢纯平的忌日，良多和姐姐千奈美（YOU 饰）带着家人分别赶回家中。平静的横山家再次热闹起来……本片荣获2009年蓝丝带最佳导演奖和最佳女配角奖（树木希林）、2008年报知电影和2009年电影旬报最佳女配角（树木希林）、2009年每日电影奖最佳男主角（阿部宽）、2008年马塔布拉塔国际电影节评审团大奖和最佳影片。