剧情纵览
瓷器店老板白发皓首,妻子却如花似玉,青春当年。老板终日殚精竭虑,早已不复当年威武,故而床第之间有心无力,常常敷衍了事。女子正值如狼似虎的年纪,焦躁之间难免与他人暗度陈仓。隔壁铁匠耽恋瓷器店老板娘之容貌,几番试探,一拍即合。常常趁夜深人静之时钻入隔壁卧室,在熟睡的瓷器店老板身旁公然大行云雨。正所谓纸包…
瓷器店老板白发皓首,妻子却如花似玉,青春当年。老板终日殚精竭虑,早已不复当年威武,故而床第之间有心无力,常常敷衍了事。女子正值如狼似虎的年纪,焦躁之间难免与他人暗度陈仓。隔壁铁匠耽恋瓷器店老板娘之容貌,几番试探,一拍即合。常常趁夜深人静之时钻入隔壁卧室,在熟睡的瓷器店老板身旁公然大行云雨。正所谓纸包…
瓷器店老板白发皓首,妻子却如花似玉,青春当年。老板终日殚精竭虑,早已不复当年威武,故而床第之间有心无力,常常敷衍了事。女子正值如狼似虎的年纪,焦躁之间难免与他人暗度陈仓。隔壁铁匠耽恋瓷器店老板娘之容貌,几番试探,一拍即合。常常趁夜深人静之时钻入隔壁卧室,在熟睡的瓷器店老板身旁公然大行云雨。正所谓纸包…
1935年上海中共地下组织遭国民党特务重创,绝密档案危在旦夕。地下党员徐峰、李静临危受命与叛徒、特务展开生死周旋,更要面对昔日兄弟反目的仇怨,历经重重牺牲与考验,最终成功取回绝密档案,完成革命使命。
美丽的高中女孩露比·罗西(艾米莉亚·琼斯 Emilia Jones 饰)出生于一个极不寻常的渔民家庭,她的父母和哥哥天生聋哑,只能通过手语交流。而健康无恙的露比既是幸运的,却也是不幸的。她担任了家人和外界交流沟通的桥梁,为此承受了诸多的歧视和嘲笑。这期间,只有好闺蜜戈蒂(艾米·福赛思 Amy Forsyth 饰)是她最坚定的支撑。因为喜欢男孩迈尔斯(福迪亚·瓦尔什-匹罗 Ferdia Walsh-Peelo 饰),露比报名参加校合唱团,而天资颖悟的很快得到了负责老师的赏识。在此之后,露比频繁奔波于合唱团和家族之间,她渴望前往伯克利追求音乐梦想,而这势必要和对她无比依赖的原生家庭分隔两地。露比为此深深焦虑……本片根据真实事件改编。
上世纪九十年代,特大伪钞案暗流涌动,社会动荡不安。退役散打王郑明为救治白血病女儿,意外踏入凶险的伪钞产业链,在生死边缘挣扎求生。刑警谢家同誓破伪钞源头,二人从针锋相对到暗中周旋,上演猫鼠博弈。郑明在暴利与良知间反复拉扯,暗中向警方传递线索,试图戴罪立功。当他决心交出核心伪钞母版、彻底脱身时,女儿却被绑架要挟。绝境之下,他与谢家同放下隔阂,联手出击,在宗族宗祠与民俗游行中展开终极血战,捣毁庞大伪钞帝国,以热血捍卫正义与亲情。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster