万字1964

⭐ 8.6 播放:74万 2026-05-24

(1964)暂无内容,律师之妻柿内园子(岸田今日子饰)为了排解生活上的沉闷,到艺术学校学习绘画,结识了富家千金德光光子(若尾文子饰)。园子被对方的美貌所吸引,以致绘画课时不知不觉画了光子的像。学校里流言纷纷,惭愧的园子偶遇光子,对方却十分友好,二人渐渐发展成同性恋人。暂无内容园子沉醉在这段同性恋情的同时,却发现光子在外头养了一个小白脸─棉贯荣一郎(川津佑介饰)。园子答应与棉贯共同分享光子,卑劣的绵贯却将双姝的私情暂无内容告诉园子的丈夫孝太郎(船越英二饰),使孝太郎对妻子和友人的关系起了疑心,园子和光子决定假扮自杀、怀孕等,以避开他们的耳目。暂无内容可是,连孝太郎都对光子产生非份之想,两夫妻与光子的关系更趋复杂,甚至甘愿被她玩弄于股掌之中暂无内容hellip;暂无内容hellip;

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剧情提要

(1964)暂无内容,律师之妻柿内园子(岸田今日子饰)为了排解生活上的沉闷,到艺术学校学习绘画,结识了富家千金德光光子(若尾文子饰)。园子被对方的美貌所吸引,以致绘画课时不知不觉画了光子的像。学校里流言纷纷,惭愧的园子偶遇光子,对方却十分友好,二人渐渐发展成同性恋人。暂无内容园子沉醉在这段同性恋情的同时,却发现光子在外头养了一个小白脸─棉贯荣一郎(川津佑介饰)。园子答应与棉贯共同分享光子,卑劣的绵贯却将双姝的私情暂无内容告诉园子的丈夫孝太郎(船越英二饰),使孝太郎对妻子和友人的关系起了疑心,园子和光子决定假扮自杀、怀孕等,以避开他们的耳目。暂无内容可是,连孝太郎都对光子产生非份之想,两夫妻与光子的关系更趋复杂,甚至甘愿被她玩弄于股掌之中暂无内容hellip;暂无内容hellip;

幕后花絮

灰色女士

  A Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster