我应该做还是不做

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 故事发生在中世纪的英格兰，安妮和她专横跋扈的婆婆莫温在社会边缘挣扎求生。然而，当安妮过去的一位故人从战场归来，一位神秘骑士的出现似乎预示着诅咒的降临，并威胁着她们所有人的命运。

90年代的哈城，刚刑满释放的徐铁（包贝尔 饰）偶遇装哑的舞女百灵（张梦露 饰），两人也在几次偶遇和深夜相伴中渐生情愫。直到除夕夜的温暖，让他们相互靠近，却又因现实隔阂，家人误解而屡屡拉扯。百灵为父还债的秘密账本，让徐铁读懂了她的苦衷，雷力的迫害更是将两人推向绝境，徐铁以命相搏救出被囚的百灵，终赢来家人祝福。这对孤独灵魂，在世俗重压下，以真爱焐热了彼此的人生。

作为程序员工作的职场妈妈米拉，11岁的儿子东明突然被判定为“1型糖尿病”，受到冲击。医生说她一辈子都要注射胰岛素，对此她感到绝望，但她忍住眼泪站了起来。米拉活用自己曾是工程学专业的专业，引进国内未上市的连续血糖测定仪，给东明戴上，并联动监护人远程监测血糖。有采血恐惧的东明使糖尿病管理变得容易，米拉的家人从低血糖休克的焦虑中解放出来。在环友会会员的请求接踵而至后，米拉开始告诉孩子们如何直接进口并联动连续血糖测定仪，以帮助他们和儿子遭受同样的疾病。但是，米拉被指控是未经许可的非法医疗器械，在没有通关的情况下进口，没有交税。……为了家人，为了欢友会，她与世界对抗的故事将展开。