危险的性爱
我看着我。星灵和她围绕三个男人。性是爱，爱说的男人。“离别的痛苦。那成熟的“单纯的隐的相遇之旅，舒适的硕民。这三个男人的重心成英。性是人的交往。受伤。她背叛自己的男人要去复仇的刀刃。
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女劫
娜塔莉·布朗,乔纳森·沃顿,彼得·达莰哈,佩顿·肯尼迪,罗恩·利,迈克尔·戴森,梅兰妮·林斯基,塞思·杜哈梅,萨奈·维多利亚,希拉·凡德,琳赛·柏奇哈留恩佩与邪恶祭司
Peter Franzén,伊丽娜·别尔克伦德,Jenni Banerjee害虫
宫崎葵,苍井优,田边诚一,凉,伊势谷友介对鱼的布道
拉纳·阿斯加洛娃,奥尔汗·依斯干达里,侯赛因·纳西罗夫食梦者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿时,山田孝之,宫藤官九郎,中川雅也,染谷将太日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla同类推荐
苌山虎
廉晶雅,朴赫权,申隣雅,李俊赫,方柔雪,许真,李律,李在恩熙琏（廉晶雅饰）的儿子俊叙在首尔走失了，伤心欲绝的她带着失忆的婆婆回到老家苌山休养，希望婆婆能早点想起俊叙是怎么失踪的。有一天，熙琏在苌山附近的洞穴遇见一个衣衫褴褛的神祕女孩，或许是同情怜悯，或许是空虚寂寞，熙琏将女孩带回家，打算在找到无名女孩的父母之前照顾她。两人日渐亲近，渐渐地女孩变得好像熙琏的女儿一样，她喊起熙琏「妈妈」，还叫自己「俊希」，容貌与音声越来越像消失无踪的「俊叙」。神秘女孩到来之后，陆陆续续发生难以理解的怪事，熙琏的婆婆先是幻听，然后还被传说中栖息在苌山洞穴的妖物掳走……熙琏能够找回儿子俊叙吗？破碎的一家能在妖怪阴影之下再度团圆吗？
绝命47小时
亚历山德里娅·德伯里,艾莉·玛丽·埃文斯,汤姆·普罗克特,Amanda Marie Wilkinson,布赖恩·马西,Annie Hamilton,Natalie Dickinson,卢克·谢尔顿 Luke Shelton,Julia Lashae,Zach Rose两个不善社交的少女，一天晚上无聊，转向互联网寻找恐怖故事。他们在一个令人毛骨悚然的网络上找到了一个游戏，声称你可以用你的手机来召唤超自然...如果你输了比赛...你失去了生命
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大明嫔妃之离间
宋洋,朱一龙,何杜娟,关慧卿姚芊芊腹中的孩子即将足月，为了让大家相信孩子是太子的，郑贵妃命她带兰心去郊外寺庙进香，自己则安排手下装作歹徒袭击二人，让姚芊芊有理由“受惊早产”，并想伺机除掉兰心。谁知，姚芊芊真的受惊动了胎气，幸有兰心全力相助，这才九死一生，在途中产下一子。从此，姚芊芊视兰心为生死之交，王恭妃见状，却误以为兰心被郑贵妃收买。王恭妃明白梅儿和兰心情同手足，为防止梅儿随兰心一同倒戈，她开始用各种方式离间两人的关系 。 梅儿原是上官大人与歌女李月棠之女，实为兰心之妹。
兄妹
大泉洋,宫崎葵,泷本美织,仲野太贺,西原亚希,七五三掛龍也,一路真辉,夏洛特·凯特·福克斯,笹野高史,波乃久里子室生犀星名作