红楼梦

7.5 播放:43万 更新:2026-05-23

小林(陈彦名暂无内容饰)是一名同性恋者,和男友过着非常幸福的生活。然而,一场可怕的意外夺走了男友的生命,将小林独自一人抛入了绝望和悲痛的深渊,为了收拾心情,小林离开了家乡来到台北,希望在这里能够开启新的人生旅途。

播放通道

详细简介

小林(陈彦名暂无内容饰)是一名同性恋者,和男友过着非常幸福的生活。然而,一场可怕的意外夺走了男友的生命,将小林独自一人抛入了绝望和悲痛的深渊,为了收拾心情,小林离开了家乡来到台北,希望在这里能够开启新的人生旅途。

同类推荐

我的朋友安德烈

刘昊然,董子健,殷桃,韩昊霖,迟兴楷,董宝石,宁理,雷佳音,章若楠,张宥浩,薛宝鹤

性格迥异的李默(刘昊然 饰)与安德烈(董子健 饰)因为足球成为知己,而一场意外却让安德烈跟随年少往事一起消失在了李默的记忆中。多年后,李默在为父亲奔丧路上与安德烈“重逢”,一段尘封的回忆被逐渐揭开……                                                                        电影改编自双雪涛的同名小说《我的朋友安德烈》。

替补悍警

鲍勃·奥登科克,琳娜·海蒂,布伦丹·弗莱彻,亨利·温克勒,布莱恩·川上,莎莫·H·豪威尔,德里克·巴恩斯,杰西卡·麦克劳德,Dan De Jaeger,Reena Jolly,劳伦·科克伦,大卫·劳伦斯·布朗,卡森·纳特拉斯,彼得·新田,辻将太,辛妮·比斯顿,比利·麦克莱伦,瑞恩·艾伦,艾伦·默克,Takahiro Inoue

 故事发生在一个名为“诺莫”的偏远小镇,这里看似风平浪静,实则暗流涌动。主角尤利西斯在上一任警长离奇意外身亡后,被委任为临时警长。当镇上的银行被一对来自外地的夫妇抢劫时,尤利西斯赶到现场,却发现这座小镇平静的表象下隐藏着更为险恶的深层秘密——从酒保到神父,镇上的每个人都是秘密的参与者。而一直试图逃避过去心魔的尤利西斯,此刻必须揭开这场犯罪阴谋的全部真相。

怀旧者

朗贝尔·维尔森,萨缪尔·乔斯林,Scott Hinds

  In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.

乐透大作战

高庚杓,李伊庚,音文硕,朴世婉,郭东延,李俊赫

  即将退伍的南韩兵长千禹(高庚杓 饰),某天意外在紧绷的南北韩军事线附近,捡到一张飘向自己的头奖彩券,之后却一个不小心,让这张彩券乘风飘向无法涉足的北韩…。为了靠57亿奖金实现退伍梦想,他使出浑身解数寻找彩券,没想到竟被北韩士兵荣浩(李伊庚 饰)给捡到…。跟彩券擦身而过的 千禹,以及在北韩不过是张纸片,必须到南韩把彩券换成奖金的荣浩,再加上意想不到的成员们共同加入,双方为了死守这57亿巨额奖金,决定“越线”展开惊险刺激的机密协商······

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.