法国作家joy
JOY,是法國作家JOY LAUREY,於上個世紀80年代初期創作的一系列半自傳的情愛小說。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字,主人公是一個美法的混血超模,她周遊世界開始她的情慾冒險里程。小說出版的2年後,製片人BENJAMIN SIMON買下了小說的版權。將故事班上了銀幕。
剧情简介
JOY,是法國作家JOY LAUREY,於上個世紀80年代初期創作的一系列半自傳的情愛小說。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字,主人公是一個美法的混血超模,她周遊世界開始她的情慾冒險里程。小說出版的2年後,製片人BENJAMIN SIMON買下了小說的版權。將故事班上了銀幕。
为你推荐
调平
以纯AI影像讲述新疆乡村故事,用一张台球桌、半张老照片,写透技术与乡土、完美与真实、时代与个体的温柔碰撞 ——真正的调平,不是抹平一切,而是让每段带褶皱的生命,都有自己的节奏。
残酷的夏日
翟乃社,曲国强,邬倩倩,张嘉益诸家老太有两个儿子梦龙和梦飞,以及一个养孙国荣。16年前,一伙以张振邦为首的歹徒为了报复诸老太在公安局工作的丈夫,欲把梦龙和梦飞活埋,国荣的父亲得知后,救出了兄弟俩,自己却被烧死,诸老太为了报恩,收养了国荣,并且对他十分疼爱。不想,16年后的今天,国荣却陷入了张的贩毒集团。梦龙出于对国荣的爱护,在知道国荣贩毒后,私下包庇他。在公安局工作的梦飞在缉拿国荣的过程中,国荣因拒捕被击毙,梦龙被梦飞带上了手铐。
大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二大映が初めて手掛けた、1965年制作の本格怪獣映画『ガメラ』シリーズ第1作。監督は、湯浅憲明。北極海上で原爆を積んだ国籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現した。自衛隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出来ないガメラに、人々は勝利を確信するが・・・。
册杀
牛骏峰,尚语贤,白恩,王奎荣,胡耘豪,李光复,喻亢,马渝捷,徐筠,邓志浩,邬倩,曲戈,陈俊安,姜琦,时銘健,朱海军李氏家族不曾向外界开放的藏书楼临渊阁突然遭窃,侦探白飞受邀前来协助调查。在神秘的密室现场,他发现这看似普通的盗窃案背后危机四伏,人人都似乎怀揣着不可告人的秘密。
外星入侵者ZIM
Richard Steven Horvitz,Andy Berman,Rosearik Rikki Simons,Melissa Fahn一名想要征服地球的外星人ZIM 假扮成人类,而只有一个妄想狂的小孩Dib Membrane知道这个秘密。本剧于2001年3月30日在美国和菲律宾首播。 Zim是来自外星来的小孩,应该说是入侵者,但他在自己不知道的情况下,被母星放逐,不知不觉来到了地球... 以小学生的身分在地球生活,虽然说是入侵者,但是几乎都没在进行侵略的动作...(反而在我看过的集数中,拯救地球两次= =") 而且还要面对面前的敌人-Dib的侵扰(在我看来像是骚扰),Dib是唯一知道Zim是个外星人的地球人,但是因为也是个小孩子,所以没人相信他. Zim与Dib是同校又同班的敌人(或者说是一对活宝),不时会进行互相乾扰的...笑话 Invader Zim的动画进行是有点类似PPG(飞天小女警),30分钟演两话,1话12分钟左右,所以每一话几乎都充满笑点....
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
摩斯拉
堺正俊,香川京子,Furankî Sakai,小泉博Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.