剧情简介
国外三级
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幻想游戏
久本雅美,板野友美,田中幸太朗,仙石南早见真纪子是在大型建筑承包商就职的精英女强人。早见专注工作，目前单身，但她其实是“深夜寻找内衣”的网站背后神秘的女神。她把贴身衣物藏在街道，给提示让人们去寻找。有一天，早见遇见了在公园露宿的葵。葵是网站“向丈夫复仇”上的一名颇有影响力的博主。她趁丈夫在外工作，秘密向丈夫复仇。在现代网络文化之下面对复杂的事件，两个女人关系渐渐密切。
拼桌
王传君,江疏影,李雪琴,郑云龙,傅首尔,刘佳,王彩平,杜家毅,吴冕,白举纲,老四,田小洁,罗海琼,齐溪,许龄月,葵葵对美食有着独特见解的“码农”陆拾谷（王传君 饰），与经常用美食治愈生活的图书编辑张嘉怡（江疏影 饰），因午饭时的拼桌意外结识，在一起寻找更多美味的经历下，两人逐渐成为彼此味觉和心意相投的“饭搭子”。陆拾谷默默按照母亲的心意生活、工作，可心中却翻涌着无限波涛，张嘉怡的图书编辑工作、感情生活纷纷遇到瓶颈，在都市的烟火气，牛马打工人的迷茫中，拾谷与嘉怡最终会在味蕾与真心的指引下如何完成自我的成长？二人间又会产生怎样宿命般的羁绊？一道色香味俱全的真香菜肴只待观众“尝鲜”！
我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克马丁是一名成人电影行业的经纪人，在一家夜总会侦察时，他遇到了达莎。她在洗手间里给他看了一些非常有才华的东西，他开始考虑让她在一部成人电影中扮演一个角色。这个行业最近变得非常时髦，他向她承诺，她将成为超级明星，她的电影将炸毁网络。然而，。..
南方时光
陈玄力,吴慷仁,孙淑媚,黄迪扬,谢以乐,苏韦华,黄工芸,朱俐安,郑有杰小洲总是背着父亲薛大队长在学校调皮捣蛋，这次跟死党小马与胖雄又闯祸了，训导主任牛头于是一状告到薛大队长那里。父亲将小洲痛责，更在他书包里搜出小马的香烟，为此又将小洲严惩。小洲含冤受屈后愤而出走，心中更暗盼父亲可以从这个家消失；没想到当晚从对岸发射的两颗导弹竟令小洲如愿，薛大队长必须离家往前线去。父亲不在家，小洲与小马、胖雄的行动更肆无忌惮，却因此而惹上学校的小霸王大毛。小洲为对抗大毛，求助于国宅帮的少年头头A 司；A 司答应帮忙，却要三人付保护费。 三人夹在大毛与 A 司之间，饱受两方威胁。这时台湾面临战争边缘，股票大跌，总统直选在即，民间吹起移民潮。1996 年的南方时光，纷扰躁动，回想起来令人惘然。
边境交易
Abylai MARAT,Omurbek IZRAILOV,Meerim ATANTAEVA,Begaiym ASANAKUNOVA,Akylbek MURATALIEV,Jenishbek SMANOV,Atai OMURBEKOV在吉尔吉斯与哈萨克边境，两名毒贩为钱途踏上一场艰险旅程，意外遇见刚从奴役中逃脱、满身伤痕的女孩。正当他们试图协助女孩越过边界，她却再度落入险境，他们决定不惜一切代价，也要将女孩带回其家人身边。中亚自然景观壮丽，奔流不息的河水却成为了人与人之间无法逾越的边界。导演以离家工作却惨被人口贩卖的家人的亲身经历出发，探讨人在压迫下的道德两难，以及内疚与遗憾如何塑造生命。
笼困
Arié Elmaleh,Zoé Félix,Goran Kostic20年前，社会主义国家南斯拉夫解体，奉行主义的更迭并未改变东欧这片多灾多难土地的命运。战火持续，人民罹难。时至今日，硝烟仍未从这里散去。卡萝尔（祖儿·费利克斯 Zoé Félix 饰）、马提亚（埃瑞克·萨文 Eric Savin 饰）、萨米尔（Arié Elmaleh 饰）是来自法国的救援小组成员。在完成任务后，他们驱车返回祖国。然而必经之路上有士兵把守，为了不浪费时间，萨米尔建议抄小路前进。这一决定将他们引入一条黑暗之途，行至半路，三人被一群全副武装的不明身份者绑架。在此后的数日内，他们全被关在不见天日的笼子里。 对于对方的动机卡萝尔他们全然不知，只有无尽的恐惧伴随左右，而死神的脚步也在慢慢逼近……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.