色欲之死

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

　　李氏家族不曾向外界开放的藏书楼临渊阁突然遭窃，侦探白飞受邀前来协助调查。在神秘的密室现场，他发现这看似普通的盗窃案背后危机四伏，人人都似乎怀揣着不可告人的秘密。

2025年，在鹿儿岛县与冲绳县，搭载着配备手术室的特种车辆的渡轮已开始进行试运行。赴任的喜多见与夏梅在离岛从事医疗工作。某日，鹿儿岛县的诹访之濑岛发生火山喷发，为营救岛民，他们毅然挑战这项九死一生的任务。

　　《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。