剧情简介
别名:Zandalee (1991) 珊朵莉(Erika Anderson)出身于良好的天主教家庭,她与相爱的诗人泰利;马丁(Judge Reinhold)结婚,泰利在父亲死后停止写诗,接掌父亲的事业,使他无暇谈情说爱,于是便冷落他的娇妻珊朵莉。 刚好此时,泰利重会深交尊尼(尼古拉斯 ;凯奇),尊尼的野性不羁,深深吸引了珊朵莉,几番挑情,珊朵莉终于敌不住诱惑,投入尊尼的怀抱,失陷于孽网之中
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食人之饥
马克-安德烈·格隆丁,莫妮亚·肖克里,Charlotte St-MartinIn a small, remote village in upstate Quebec, things have changed. Locals are not the same anymore - their bodies are breaking down and they developed an outlandish attraction for flesh.
从此以后
康妮·布里登,乔瓦尼·索罗菲瓦,托马索·巴西利,巴贝蒂达·萨乔,亚历山德罗·布雷萨内罗,Syama Rayner,安德烈亚·布鲁斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco当Claire的女儿在一次濒死体验后表现出越来越令人不安的行为时,她开始相信自己的女儿把邪恶的东西从另一个世界带回来了。
在魔鬼门前
娜雅·里维拉,阿什莉·里卡兹,科林·伊格斯菲德一幢待售的房子,交到了年轻的女房产经纪莉手上,她在房里发现了一个精神有些异样的女孩,她以为那是前任房主离家出走的女儿,便想伸出援手,谁知女孩似乎被一种超自然的力量控制,莉和她的艺术家姐姐薇拉,都难逃她的魔掌…
陨石
保罗·基尔舍,伊迪尔·阿祖格利,萨利夫·西塞,斯特凡·里多,弗朗索瓦·佩彻,艾尔莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦莱特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法国乡野荒原,米卡与丹怀揣梦想却厄运缠身。当丹再次搞砸一切,两人被迫投奔发迹的老友托尼——如今的包工头之王。困在混凝土牢笼中的他们,必须找到出路:逃离此地、摆脱麻烦、冲破生存困境。
夜间巡逻
贾斯汀·朗,德蒙特·莫罗尼,杰梅因·福勒,CM朋克,尼基·米切奥,RJ·赛勒,飞莲,迈克·弗格森,弗雷迪 吉布斯,Zuri Reed,埃文·沙夫兰,YG,Kim Yarbrough,Colin Young,乔恩·奥斯华尔德,尼克·吉利,Dennis BoydAn L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼影实录:东京之夜
中村苍,青山伦子位于东京的某区,山野一家三口过着富庶自在的生活。2010年9月3日,姐姐春花(青山伦子 饰)从美国归来,此前她在旅行中遭遇一场车祸,致令双腿严重骨折。弟弟幸一(中村苍 饰)是个开朗阳光的大男孩,他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙,平时只有姐弟二人在家。平静的日子并未持续太久,一丝不安便在屋子内肆意弥漫。春花发现,每当次日醒来床边的轮椅便会发生移动。为了探明真相,幸一决定在姐姐的卧房内安置摄像机,监控夜晚的情况。在屏幕前,不可思议的景象接连发生,姐弟俩似乎也陷入恶魔的诅咒中,无法逃脱…… 本片为恐怖片《鬼影实录》的日本版。