沙发上美女肉丝丝滑大大的用手盖不住

混凝土乌托邦

李炳宪,朴叙俊,朴宝英,金善映,朴持厚,罗哲,金度允,南镇福,金学善,朴周勇

　　该片以大地震后荒废的首尔为背景，讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。

太平洋战场

Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie Anderson

　　That day is seared into the memory of every human being on the planet: the day the world changed. First came the attack on the Philippines. Within days they spread, as though appearing out of nowhere, striking out at more islands, forging a foothold in the South Pacific. Then came the first attack on U.S. soil - Los Angeles - and the reality became clear: our world was at war once again, but this time with an enemy from beyond our galaxy. Now, months later, the fate of the world hangs in the balance as a mission to strike at a key enemy installation deep in enemy territory goes terribly wrong, and the Marines of the 15th Expeditionary Unit are scattered across the island of New Britain, leaderless, and facing impossible odds. Pacific Theater is the story of those Marines: fresh recruits who journey from their homes across the Pacific to the front lines. It is the story of John Blake, a charming Californian surfer who must find the strength to become a leader, Tracey Gleeson, a physics...

于特岛7月22日

安德烈·伯恩森,亚历山德·霍尔门,布瑞德·福里斯达,艾丽·瑞亚侬·穆勒·奥斯本,苏陆士·萨达特,马格努斯·莫恩,张特兰

　　在2011年的7月21日那天，650个年轻人正在于特岛上参加夏令营，他们刚刚得知一个令人震惊的消息，奥斯陆的一座政府大楼被一个全副武装的右翼激进份子炸毁，接着激进分子就来到了于特岛。影片将跟随一名叫卡佳（Kaja）的小女孩，在听到了激进分子的第一声枪响后，令人窒息的72分钟生存挣扎。影片根据真实事件改编，于特岛惨案是自第二次世界大战以来全球最严重的单人犯罪枪击案。

得闲谨制

肖战,彭昱畅,周依然,杨新鸣,阿如那,甘昀宸,周思羽,严知度,尹正,祖峰,廖凡,许君聪,江奇霖,任程伟

　　机械厂钳工莫得闲（肖战 饰）拖家带口随逃难队伍躲进山区，与被大部队遗忘的防空炮长肖衍（彭昱畅 饰）及手下在“戈止镇”落脚。然而，莫得闲和妻子夏橙（周依然 饰）、老太爷（杨新鸣 饰）以及儿子莫等闲（严知度 饰）的平静生活因为一小队日本侦察兵的意外到来被打破。全镇百姓不忍不退，拼死守护家园，一场民间智慧对抗正规武装的殊死较量轰然展开。

那个人在想什么事情

John Price,Preben Neergaard,Lotte Tarp

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

汪星人训练营

亚历山德拉·玛丽亚·拉娜,大卫·史崔梭德,安娜·赫尔曼,多加居·雷尔,鲁里克·吉斯拉松,Kerim Waller

五个狗主人带着他们淘气的狗狗向山中的传奇老师寻求帮助——但需要接受训练的并不是他们毛茸茸的朋友。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.