邻家姐姐
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan철없는 놀기 좋아하는 영지. 항상 엄마에게는 구박덩이다. 하지만 옆집에 사는 학수에게는 여신으로만 보이는데 학수는 항상 영지를 지켜보고 그런 영지가 부모님이 외국간 사이에 폰섹스 알바를 하고 있다는걸 알게된 학수는 알바하는 모습을 촬영해 영지와 어떻게든 자보고 싶어 계획은 세우는데
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热门影视 大家都在看
不离不弃2026
张芷溪,初俊辰,沈晓海,黄俊鹏,杨青倩RRR
小老虎,拉姆·查兰,阿贾耶·德乌干,阿莉雅·布哈特,奥利维亚·莫里斯,施芮娅·萨兰,雷·史蒂文森,艾莉森·杜迪,塞缪拉卡尼,钱德拉·塞卡,马卡兰德·德斯潘德,拉杰夫·卡纳卡拉,拉胡尔·拉玛克里斯纳,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,马克·班宁顿诡风怪谈
茱莉亚·古丹妮·泰勒斯,阿什利·祖克曼,凯特琳·杰拉德,迪伦·麦蒂盛夏假期遇见爱
艾米丽·巴德,汤姆·布莱斯,莎拉·凯瑟琳·胡克 ,卢锡安·拉维斯科特,迈尔斯·赫尔泽,贾米拉·贾米尔,汤米·杜,卢卡斯·盖奇,爱丽丝·李,莫莉·香侬,阿兰·卢克,斯宾瑟·内维尔,伊恩·波特,马德琳·阿库阿,约翰·贾巴雷,贝瑟妮·安妮·林德,迈克尔·A·纽科默,劳拉·弗兰纳里,莱顿·威廉姆斯,埃米·勒微笑的山谷
米凯莱·里翁迪诺,罗马纳·马乔拉·韦尔加诺,Giulio Feltri六度战栗
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隔壁的星光
福本莉子,八木勇征,仓悠贵,横田真悠,西垣匠,田锅梨梨花,清水美沙,宫崎吐梦,绀野真昼,野波麻帆,滨野谦太本片改编自同名漫画，讲述了以当红年轻演员的身分开始迈向明星之路的柊木昴（八木勇征 饰），以及他青梅竹马的女高中生天野千明（福本莉子 饰），有着“明星和素人”这种令人着急的关系的超王道爱情故事。
心中的杀手
卡西·阿弗莱克,凯特·哈德森,杰西卡·阿尔芭,尼德·巴蒂,伊莱亚斯·科泰斯,汤姆·鲍尔,西蒙·贝克,比尔·普尔曼,布兰特·布里斯科,马修·马希尔,连姆·艾肯,杰·R.弗格森,布蕾克·林斯利,诺亚·克劳福德,凯特林·特纳,Rosa Pasquarella,Phillip Borghee,布雷特·鲍尔,Lori Lynne Cross,Drew Nixon20世纪40年代，美国某个依靠石油而发展起来的小镇。当地最大富豪彻斯特·康维（Ned Beatty 饰）的儿子艾尔姆（Jay R. Ferguson 饰）即将成婚，然而却有件事让彻斯特颇感烦恼。原来艾尔姆此前和妓女乔伊丝·雷克兰德（杰西卡•阿尔芭 Jessica Alba 饰）有染，为避免尴尬之事发生，彻斯特暗中授意警方驱逐乔伊丝，而小警察卢·福特（卡西·阿弗莱克 Casey Affleck 饰）成为了此项工作的具体执行者。卢表面内向顺从，内心却隐藏着不为人知的秘密。短短几周的相处，乔伊丝已然对他深深迷恋，不可自拔。谁知在最后关头，卢却对乔伊丝和艾尔姆痛下杀手，从此跌入万劫不复的黑色深渊中…… 本片根据吉姆·汤普森（Jim Thompson）的同名小说改编。
消失的证据
郑媛元,王帅,高迦澜妹妹石晗离奇“自杀”，疑点重重。姐姐石岚毅然踏上追凶之路，她孤身对抗恶势力，艰难收集证据，最终在绝境中完成复仇，将施暴者一一绳之以法。影片不仅是一场酣畅淋漓的罪案追凶，更深刻揭露了人性之暗与正义的重量。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奥赛罗
谢尔盖·邦达尔丘克,Irina Skobtseva,Andrei Popov奥赛罗（谢尔盖·邦达尔丘克 Sergei Bondarchuk 饰）是骁勇善战的大将军，元老的女儿苔丝狄蒙娜（伊琳娜·斯科布采娃 Irina Skobtseva 饰）爱上了他，但因为奥赛罗是一名黑人，所以两人的婚事遭到了元老的反对。不愿意就此放弃这段感情的两人决定私定终身，这个秘密被一直嫉妒奥赛罗的旗官伊阿古（安德烈·波波夫 Andrei Popov 饰）给暗中偷听到了，于是伊阿古决定破坏这段姻缘。哪知道伊阿古的捣乱反而促成了这段婚事。 伊阿古并没有善罢甘休，奥戴罗和苔丝狄蒙娜结婚之后，伊阿古通过伪造定情信物的手段开始挑拨这对夫妻之间的感情。占有欲极强的奥赛罗很快就走进了伊阿古设置的圈套之中。