交换：两个女人
妻子尚熙的行为很奇怪..动不动就去哪儿，打电话也不接，问也不回答，丈夫东锡怀疑妻子的奇怪行为，直到他在妻子的车上发现了一张名片，并找到了一个地址，而在那，也发生了奇妙的事海外影院APP
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剧情简介
妻子尚熙的行为很奇怪..动不动就去哪儿，打电话也不接，问也不回答，丈夫东锡怀疑妻子的奇怪行为，直到他在妻子的车上发现了一张名片，并找到了一个地址，而在那，也发生了奇妙的事海外影院APP
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银瀑
A small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
义务警员
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster