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黑暗之家
Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak1978年的某个寒冷秋夜，迷路的希罗顿走进了一个偏僻的农场。农场主夫妇热情地招待了这位不速之客，宾主一起喝酒聊天，谈得十分投机。不料人心的贪欲引发了血的悲剧…… 四年后的冬天，姆尔兹警官负责调查这起凶杀案，他和重要证人希罗顿一起前往现场检证。敷衍了事的调查、嫌疑人的回想……在一片混沌之中，惊人的真相渐渐浮现而出……
光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙这部电影是伍迪·格斯的优秀传记，他是美国最伟大的民谣歌手之一。他在上世纪30年代离开了自己位于得克萨斯州的家，去找工作，发现了美国工人阶级的苦难和力量。
炽爱
卡特琳娜·格兰厄姆,梅里特·帕特森,塞巴斯蒂安·罗奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大卫·刘易斯,Andres Collantes,Chris Cope烈火可以烧尽一切邪恶 但爱比烈火更为致命 职场新秀克莱尔泳池偶遇美女伊芙，遂展开一段浪漫情缘，然而当有一天她在其老板的派对上与伊芙再度重逢，却发现对方的身份并非那么简单。不久后她又被卷入了其老板的谋杀案之中，原来她早已身在局中.....
与神对谈
大卫·斯特雷泽恩,布伦顿·思韦茨,耶尔·格洛格拉斯,Charlbi Dean Kriek,希尔·哈勃,博比·迪奇科,Meagan Kimberly Smith虽然是三次面谈之旅，但我觉得三次否认叫Peter更合适；08,20-08,22FathomEvents,电影大概只有90分钟，后附30分钟interview分享一些信仰心得，恍然间有点以为看到了TheSunsetLimited(2011)的感觉，电影不合情理得把神实化（降临），但又很合乎情理的在分享Paul的见证，所以最后interview有个问题是为何上帝没有启示我，这个问题答案就是：先求他的国和他的义，然后你才能见证他的神迹。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
可怜的东西
艾玛·斯通,马克·鲁法洛,威廉·达福,拉米·尤素夫,克里斯托弗·阿波特,苏西·本巴,杰洛德·卡尔迈克,凯瑟琳·亨特,薇琪·佩珀代因,玛格丽特·库里,汉娜·许古拉,杰克·巴顿,查理·希斯科克,阿提拉·多拜,艾玛·欣德尔,安德斯·奥洛夫·格伦德伯格,艾提拉·凯科斯克麦西,朱西马尔·巴尔博萨,卡米尼奥,安杰拉·保拉·史丹德尔,古斯塔沃·戈麦斯,凯特·汉福德,欧文·古德,兹恩·约书亚·泊松,薇薇安·索恩,杰尔斯金·芬德里克斯影片基于苏格兰作家阿拉斯代尔·格雷所著同名小说，融合现实主义、奇幻、科幻元素，将弗兰肯斯坦的故事重塑，设定在维多利亚时代晚期，逃避丈夫虐待却不幸身亡的女子贝拉（艾玛·斯通 Emma Stone 饰），在被科学家成功复活后，心智停留在孩童阶段，却也对未知世界充满渴望；她与放荡律师私奔踏上挖掘自我的冒险，试图摆脱时代对女性偏见，追求平等与性解放。