儿子，对不起
河顺和道勋是一对热爱性的夫妻，他们甚至不费吹灰之力就享受性爱，而道勋的东西却从激烈的性爱中挣脱出艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。此后，道勋的事情大不如前，河顺也厌倦了自己不理想的性生活。与此同时，她无意中看到了泰峰的东西，性饥渴的河顺与泰峰发生了性关系。沮丧的道勋看到智善和泰峰的性爱场景，当他看到它时，道勋的东西又站起来了。他绝望地告诉泰峰他想和智善一起睡，泰峰安排道勋和智善睡在一起。
在线播放
剧情简介
河顺和道勋是一对热爱性的夫妻，他们甚至不费吹灰之力就享受性爱，而道勋的东西却从激烈的性爱中挣脱出艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。此后，道勋的事情大不如前，河顺也厌倦了自己不理想的性生活。与此同时，她无意中看到了泰峰的东西，性饥渴的河顺与泰峰发生了性关系。沮丧的道勋看到智善和泰峰的性爱场景，当他看到它时，道勋的东西又站起来了。他绝望地告诉泰峰他想和智善一起睡，泰峰安排道勋和智善睡在一起。
导演精选
最后幸存者
The pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.
临租家庭
本片讲述了一位在东京落魄的美国演员的故事。他受雇于一家日本家庭租赁公司，充当门面上的“美籍演员”，由此通过扮演他人生活中的各种角色，踏上了一段意想不到的自我发现之旅。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.