即刻观影
剧情赏析
编辑推荐
鸣枪警告
David Spade,詹姆斯·厄尔·琼斯,弗兰克·威利一位单身母亲和她的小女儿努力维持生计，直到他们从祖父那里继承了农舍。 当一个家族企业的竞争对手派武装人员用武力将水权带到农场的小溪时，情况开始失控。
交响诗篇超进化1
名冢佳织十年前，发生了震撼世界的重大事件“第一次爱之夏”。兰顿失去了他的父亲阿德洛克，现在已经在边境城镇贝尔福雷斯特参加了塔州联盟军校。被称赞为英雄的已故父亲。 什么都没有的单调日常。兰顿身边的一切都很闷。 但在兰顿面前，世界上最古老的LFO尼尔瓦修突然出现。 从驾驶舱出 现的是优莱卡。兰顿和优莱卡的旅程将在哪里结束？
预见者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一项革命性的人类基因研究计划，为预防疾病与犯罪带来了莫大帮助，身为研究员的一份子，希欧多不但致力于生命的发展与延续，还有个能预知他人死亡的特殊能力。不过这次他的能力却阴错阳差害死了自己的女友安娜，内疚不已的希欧多以悲伤度日，直到一个月过去，安娜竟又活生生地出现在他面前？
次世代机动警察：首都决战
真野惠里菜,福士诚治,笕利夫,太田莉菜,千叶繁在毫无征兆的一个晴朗日子，一枚导弹笔直飞来，将国际大都会东京都内极具代表性的彩虹桥炸为两截。该事件在都内引起不小的骚动，此后不久，警视厅公安部外事三课的警部高畑慧（高岛礼子 饰）带着相关视频资料找到藤田继次（筧利夫 饰）所统率的特车二课，经分析发现这次袭击来自于那架自卫队不久前失窃的新型战斗直升机AH-88J2改“灰色幽灵（Grey Ghost）”。经高畑之口得知，该恐怖事件与拓植行人、灰原零（森カンナ 饰）有直接的关系。而在纷乱的实践中，特车二课则面临着被撤消的危险。 东京一千万人口沦为暴动分子的人质，面对前所未有的危机，泉野明（真野惠里菜 饰）和她的LABOR能否力挽狂澜？
劫车
Ron Perlman,Saffron Burrows一部更加刺激的惊悚片,今年隆重上映" 两次金球奖提名,《头号疑犯》的玛利亚·贝罗担任主演罗琳:一位饱受压力的单身母亲,受到前夫虐待的困扰,辛苦抚养8岁的儿子.她和儿子的世界被银行抢劫(斯蒂芬·多尔夫饰演伊莫托斯)在逃犯劫车以后瞬间被改变,他想重新得到自己的战利品.但是罗琳拒绝成为他的受害者.她准备控制然后反击.今夜,她为了生存做的事情,即将引领最让人震惊的犯罪.乔安娜·卡西迪(《六尺风云》)与凯瑟琳·丹特(《盾牌》)联袂出演这部紧张的动作惊悚片
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.