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奸人本色
董骠,许冠英刘父半生积蓄被奸商所骗，更在法庭败诉，郁郁而终，死前托女儿小云找奸人家族报仇。奸人家族一早不值奸商所为，设下以奸治奸的圈套，不料简仁与简贵为争小云欢心，被奸商利用……
阿姆斯特丹
克里斯蒂安·贝尔,玛格特·罗比,约翰·大卫·华盛顿,亚历桑德罗·尼沃拉,安德丽娅·赖斯伯勒,安雅·泰勒-乔伊,克里斯·洛克,马提亚斯·修奈尔,迈克尔·珊农,麦克·梅尔斯,泰勒·斯威夫特,蒂莫西·奥利芬特,佐伊·索尔达娜,拉米·马雷克,罗伯特·德尼罗,梅尔·法尔,邦尼·赫尔曼,马克斯·佩利希,小艾德·博格里,考林·加普,劳伦·肖,布兰登·戴维斯,凯西·比格斯,戴·扬,肖恩·艾弗里,洁基伯明翰,瑞贝卡·薇索基,史蒂文·哈克,贝丝·格兰特,汤姆·埃尔文,利兰·奥瑟,马丁·威廉·哈里斯,文森特·M·比肖内,詹姆斯三位好友，一桩谜案，惊天阴谋，即将揭晓...... 全明星阵容共同演绎，奥斯卡提名导演大卫·O·拉塞尔执导，克里斯蒂安·贝尔、玛格特·罗比、约翰·大卫·华盛顿主演，泰勒·斯威夫特惊喜亮相！当目击者变成嫌疑人，身处风暴中心的他们，该如何守护彼此，发现真相？
无限：未知对象
托莉·巴特勒-哈特,伊恩·麦克莱恩,康勒斯·希尔,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir HartJane is trapped in an unknown world with endless possibilities. She has to discover a way to access them and alter her reality before she is destined to repeat the same test over and over again, Ad Infinitum.
秘密关系：最后的约束
こめおかしぐ原作の人気ボーイズラブ漫画「イッて終わりなわけがない！」を日本と台湾の合作で実写化したドラマ「秘密關係 Secret Lover」の劇場版。ドラマ版を再編集し、未公開シーンを追加した。 陸俊晞（ルー・ジュンシー）と韓拓（ハン・トゥオ）は、幼いころからいつも一緒に過ごしてきた親友。しかし、拓は俊晞への思いをずっと胸に秘めていた。大学での演劇公演をきっかけに、拓は俊晞への思いを告白し、2人は恋人同士になる。秘密の交際を始めた2人だったが、さまざまな困難に直面し、やがてその関係は大きな試練を迎えることとなる。 主演は、日台混成の4人組ボーイズグループ「BUGVEL」のメンバーであるGUNO（王君豪）と、俳優・ソロシンガーとして活躍するChance （成晞）。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
此时此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奥,田边桃子,Lou Veloso,Buboy Villar,结城贵史职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。