闺蜜大妇仇
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金刚不坏2024
乔杉,柳岩,梁龙,孙阳,杨新鸣,桑平,刘长纯,代乐乐金刚回到了自己曾经生活的地方，然而一切早已物是人非。这时，一起拐卖儿童的事件意外发生，金刚以一个局外人的身份开始寻找被拐的女孩，在这个过程中他的过往也依旧在纠缠着他…… 金刚将不得不面对自己最不愿意正视的伤痛……
烟花1995
山崎裕太,奥菜惠,反田孝幸,兰迪·黑文斯,小桥贤儿,樱木研仁,麻木久仁子,光石研,小山励基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中岛阳子小学生典道（山崎裕太）与佑价（反田孝幸）等同伴们就烟花升腾而起时是扁是圆展开争论，无果后，众人困惑起来，为了将困惑解决，他们决定趁夏季花火大会的机会去燃放烟花的灯塔上一探究竟。典道和佑价同时暗恋的同学，早熟的少女奈砂（奥菜惠）因为父母离异怀起心事。一场在典道和佑价之间进行的五十米游泳比赛结束后，奈砂单约胜利者佑价陪她去看烟花，不想对方最终决定同大伙一起去灯塔。奈砂最终拉上比赛失败的典道上路，目的地却变成了火车站甚至更远的东京。
放送禁止我的三位妻子
影片以一部“本应播出却被紧急叫停的纪录片”为线索，记录了一名男子与三位妻子共同生活的影像。网页设计师萩原浩司、作为家庭经济支柱的公司经营者中濑由子、前模特乾真理奈，以及护士内野枫——四名相关人士被召集到一起，观看了一段丈夫被杀害的录像。然而，随着影像逐渐展开，三位妻子却先后承认： 凶手是自己。爱、依赖、嫉妒与谎言交织在影像背后，纪录片的真实目的也随之变得模糊。这部被“禁止播出”的影像，究竟隐藏着怎样的真相？
安昂传奇：最后的气宗
戴夫·巴蒂斯塔,史蒂文·元,关继威,杰西卡·马滕,塔伊加·维迪提,迪·布莱德利·贝克,杰拉尔丁·维斯瓦纳坦,罗曼·萨拉戈萨,芙蕾达·平托,南允道,佩塔·萨金特,Dionne Quan派拉蒙和尼克宣布“降世神通”系列开发三部新的电影，仍是动画形式。第一部由《降世神通：最后的气宗》导演Lauren Montgomery执导，《最后的气宗》主创Bryan Konietzko和Michael DiMartino担任制片人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑暗深处
塞缪尔·勒·比汉,阿米尔·艾尔凯塞,让-雨果·安格拉德,托马·索利韦尔,迭戈·马丁,布鲁诺·桑切斯,马克·里索,安托万·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃尔·菲图西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷顿菜鸟上班第一天就听到老鸟说，最近矿场有人失踪或重伤。矿场老板告诉他们，只要查明真相愿意给予丰厚赏金。在来到事发矿区后，他们却看到白骨与干枯血迹。吓得一群人试图回到地面，却发现入口意外被堵死，同伴还被嗜血怪物袭击。漆黑的地下，怪物在身后逼近，他们能否就此逃脱，诱惑是成为怪物口中的佳肴？