　　皇太子争选太子妃，兰心本有所爱，却不得不进到太子府，因为才华出众，深得皇太子和纪淑妃的喜爱，兰心被嫉妒和排挤，在太子府里受尽磨难！　　其实一切阴谋都是秀女姚芊芊设计的，姚芊芊是万贵妃的人，自己参选秀女就是为了接近太子，协助万贵妃铲除太子，虽然她心中也另有所爱，但不得不去争选太子妃，铲除一切阻碍自己当上太子妃的秀女。　　姚芊芊陷害兰心通奸，差点害的兰心被赐死，关键时刻兰心被梅儿所救。几日后公布太子妃人选之时，纪淑妃为了顾全大局，还是让姚芊芊当上了太子妃，姚芊芊十分痛苦内心挣扎，兰心、梅儿、金碧瑶当上侧妃，大家各怀念想……。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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