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Ione Butler,安德鲁·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亚伦·格罗本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti猫小姐莫西
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索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯同类精选
超级马力欧银河大电影
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伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯紫禁城
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山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凯伦·霍尔尼斯,多隆·贝尔,Porsha Pointner,莎伦·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凯利对警察枪击、种族主义和他们共同的联系进行原始的、毫无歉意的审视。没有说明我们知道答案，但不害怕直接提问。
政坛新星
艾玛·麦基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德维利,杰克·劳登,库梅尔·南贾尼,艾伯特·布鲁克斯,丽贝卡·豪尔,朱莉·卡夫娜,贝琦·安·贝克,斯派克·费恩,茜多·塞丝,Amelie McKendry,阿德里安·M·蒙波因特,乔伊·布鲁克斯,埃里卡·麦克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello34岁的年轻女子Ella McCay（艾玛·麦基 Emma Mackey 饰）当上了州长，需要努力平衡政坛职责和家庭生活。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
诗人2025
乌贝马尔·里奥斯,蕾韦卡·安德拉德,吉列尔莫·卡多纳,阿利森·科雷亚,翁贝托·雷斯特雷波,玛格丽塔·索托中年诗人奥斯卡·雷斯特雷波沉迷于诗歌，却始终未获认可。他孤僻而失落，活成了“被遗忘的诗人”典型。一次偶然的邂逅，他结识了出身贫寒的少女尤拉迪，并试图引导她走上创作之路。随着两人关系的深入，奥斯卡将她带入诗人世界，却也让她面临理想与现实的冲突。