梦魔

⭐ 3.9 播放:73万 2026-05-27
主演: 广木隆一/

バスの運転手?中塚幸彦は、乗客の大友紀子に少年の頃の記憶にある牧野直美そっくりの面影を認め、思わず声をかけた。小学生の頃の幸彦が、メンソレータムの匂いと、胸の花びらのような小さなヤケドの痕と共に蘇る官能的な夢の中の女性、それが直美だった。一方紀子は、友人の佳代の夫?遠藤に脅迫された形ではあるがセックスし、それを佳代に知られ取り乱されても、愛情のないセックスだからと動揺の素振りさえない。そんな紀子もまた、幸彦という男の子にヤケドの痕にメンソレータムを塗ってもらう夢を見ると中塚に告白する。2人は夢の中で出会っていたのか。紀子は中塚をホテルに誘い、煙草の火で胸にヤケドを作るが、中塚はその場を逃げ出してしまう。妻や娘のいる今の家庭が崩壊するのを恐れたのではなく、夢の中で紀子の体を縛りつけ、苦悶の表情を楽しんでいる、それが現実になってしまう誘惑を恐れたかのよう..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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剧情提要

バスの運転手?中塚幸彦は、乗客の大友紀子に少年の頃の記憶にある牧野直美そっくりの面影を認め、思わず声をかけた。小学生の頃の幸彦が、メンソレータムの匂いと、胸の花びらのような小さなヤケドの痕と共に蘇る官能的な夢の中の女性、それが直美だった。一方紀子は、友人の佳代の夫?遠藤に脅迫された形ではあるがセックスし、それを佳代に知られ取り乱されても、愛情のないセックスだからと動揺の素振りさえない。そんな紀子もまた、幸彦という男の子にヤケドの痕にメンソレータムを塗ってもらう夢を見ると中塚に告白する。2人は夢の中で出会っていたのか。紀子は中塚をホテルに誘い、煙草の火で胸にヤケドを作るが、中塚はその場を逃げ出してしまう。妻や娘のいる今の家庭が崩壊するのを恐れたのではなく、夢の中で紀子の体を縛りつけ、苦悶の表情を楽しんでいる、それが現実になってしまう誘惑を恐れたかのよう..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

幕后花絮

安娜和世界末日

  一部混杂音乐剧和丧尸电影的喜剧片,这部僵尸歌舞片的框架基于2010年英国电影学院奖获奖短片《僵尸音乐剧》(暂译)(ZombieMusical),讲述了一大波僵尸穷追猛打一撮人,他们边唱边打,不断求生的故事。电影取景地为苏格兰,由艾拉·亨特出演安娜,马克·本顿饰演安娜的父亲,保罗·凯耶出演反派。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.